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  •     The Fayetteville Area System of Transportation and rental housing inspection, took center stage at the Fayetteville City Council Work Session on Monday, April 7.
        In an ongoing series of conversations held by the council on improving the city’s buses, Ron Macaluso, the transit director, reported back to the council on possible sources of revenue to fund more than $600,000 in improvements to the system. Macaluso brought the needed improvements, which include hiring of more staff, training, equipment and software updates and salary increases, to the council earlier this year. While the council was in agreement that the uprgrades need to occur, they could not agree on a means of funding the upgrades, so they asked Macaluso to research funding options.
        {mosimage}He presented the council with seven options: Increase transit fares and authorize a $5 motor vehicle tax to support the upgrades; prepare special legislation (a local bill) that would be required for the Vehicle Gross Receipt Tax or a sales tax increase; authorize fare increases only; authorize motor vehicle license tax only; authorize the Vehicle Gross Receipts Tax only; authorize the sales tax only; or a combination of fare increases and motor vehicle license tax. The council opted for the latter, but also charged City Manager Dale Iman with looking into the possibility of having Cumberland County’s state legislators introduce a local bill into the short session to increase the local Vehicle Gross Receipt Tax (taxes on rental cars) to help fund the system.
        Iman told the council that he was uncertain as to the fate of such a bill because of the short session and the length of time left to get it introduced. He also noted that funds from such a tax would not come into play for at least six to eight months.
        The council is expected to formally approve the fare increases and the $5 additional tax on all vehicles registered in the City of Fayetteville at an upcoming meeting. If officially approved, the move would garner more than $600,000. If the Vehicle Gross Receipts Tax makes it through the legislature at a 3.5 percent increase, it will add more than $600,000 to the funding for the system.
        In regards to rental housing inspection, the council sent Assistant City Manager Doug Hewett back to the drawing board. Inspections for housing that does not meet minimum housing codes were part of the Fayetteville Forward pact. Council members wanted to find a way to bring housing in the city up to code.
    The plan Hewett brought to the work session, would require all landlords who own rental housing to register their homes with the city and to undergo inspections once every four years. The proposed cost of inspections was $125 per unit. Landlords with more than 10 units would be required to inspect 10 units or 20 percent of the total number of units. The proposal had an initial start-up fee of $322,313.
        “We came with a sprained wrist, and we’re getting a full-body cast here,” said Mayor Tony Chavonne following Hewett’s presentation. “That’s a tremendous amount of government.”
        Chavonne’s comments were echoed by other members of the board who feared renters would be unable to bear the cost of the inspections, which landlords would pass on. The council directed Hewett to look at ways of dealing with only the substandard housing. Councilman Ted Mohn suggested beefing up the existing inspections department, and having them focus on areas where housing is considered to be substandard. 

  •     For many summers during my children’s growing up years, the Dicksons had one or another teenaged Austrian cousin visiting for several weeks. Over the years, we had at least four boys and three girls, several of whom became almost like siblings to our own younger generation.
        We shared our domestic routines, and we traveled with them on family excursions to beaches, to Washington, New England, Orlando and Canada. We might have gone on these trips anyway, but now we have mostly wonderful memories of these familial cultural exchanges.
    Among my domestic memories of those summers is the only time I ever washed one of my children’s mouth out with soap.
        Bless his pea-picking little heart, one of my sons just had to keep trying out a new and highly inappropriate word he had learned from who-knows-where. I warned him about it several times, but he apparently found it impossible not to show off his new knowledge in front of his older Austrian cousin. I finally took him by the arm into our downstairs half-bath, put a dab of liquid soap on a washcloth, and gave his mouth a quick swab.{mosimage}
        My son blew a few bubbles, and the teenaged cousin who was standing in the hallway watching and who knew a few of those American words himself, uttered another American expression, “Wow!”
        Someone needs to do the same thing to some talk radio hosts.
        I grew up in a family radio business and worked in it for more than 25 years. Most of that time was energizing and fun in an industry filled with talented and creative people and at stations which strived to be a part of their communities. Toward the end of our time in radio, the mood changed. It became mean and sour with the rise of talk radio.
        We have seen this over and over again on the national level with personalities like Howard Stern, Don Imus and Rush Limbaugh. North Carolinians watched meanness play out yet again earlier this month when the hosts of a morning show in Raleigh made a series of remarks which have been widely criticized as racist and derogatory toward Native Americans, specifically North Carolina’s Lumbees. The remarks were made in a joking context, as they often are, but they were clearly painful to some people and highly inappropriate over the public airwaves.
        The station apologized to listeners and suspended the crew of the morning show without pay for three days. The furor continues nevertheless.
        I think two things about commercial radio in America today. Since Congress deregulated commercial radio with the Telecommunications Act of 1996, programming which was once locally generated and reflected the unique qualities of communities throughout the United States, is now homogenized and pasteurized. With a few exceptions like local morning shows and a scattering local news programming, listeners in Fayetteville hear the same programming as listeners in Boston, Dallas and Seattle. For better or worse, radio is now just a business, like many other national commercial enterprises.
        The other thing I think about radio is that the national glut of radio talk shows — some call-in, some not — which has befallen our nation over the last two decades reflects and promotes not only a lack of public civility but all kinds of “isms” including racism and sexism, as well as  religious intolerance, and outright meanness. All this is presented as a form of entertainment which advertisers support with their dollars and which reaps profits for station owners.   
        I have tried to operate under and to teach my children the standard that if you could not say something to your mother or your grandmother, you probably should not say it at all.
        Very little of the poison spewed on many of these shows would I ever have uttered to my mother or grandmother.
        It is shameful and profoundly sad that all of this has filtered down to the local level — the Raleigh station being only the most recent example, under the guise of “entertainment.” If we truly believe that calling each other names publicly and polarizing the American public is a form of entertainment, then something is very wrong, indeed.
        The cousin who witnessed my son’s encounter with the sudsy washcloth now practices law in Vienna and has two little girls of his own. I have no idea whether he has had occasion to use what he learned in the Dickson’s downstair’s bathroom in his own household, but I do know that I never had any more trouble with bad language from that son, at least in my presence. He obviously got the point.
        I am giving some thought to mailing that general manager of that Raleigh radio station a bottle of liquid soap and a washcloth.
  •     {mosimage}

        April is Child Abuse Prevention Month. Last year in North Carolina, more than 100,000 children were reported to Child Protective Services as alleged victims of child abuse or neglect and 24,597 of these children were confirmed as victims or found in need of services. Thirty four children died from child abuse homicides during the 2006 calendar year. 
        An average of two infants are killed or left unprotected to die every year. Every two weeks, a North Carolina child is either killed by a parent or caregiver in some form of child abuse. These are alarming statistics that can haunt any community.     
        Cumberland County Schools, Fort Bragg, Pope Air Force Base, private and home schools have joined together to remember these children by hosting the “Break the Chain of Child Abuse” ceremony on Friday, April 18, at 9 a.m. at the Cumberland County Department of Social Services.
    The ceremony, in its 10th year, was started by the Guardian Ad Litem Program and relies heavily on the Cumberland County School System and social workers to disseminate the child abuse information to parents, students and the community.    
        “This is a great opportunity to highlight to the community that children can be empowered to help break the chain of child abuse,” said Valerie Haynes, district administrator for the Guardian Ad Litem Program. “During the ceremony Mayor Tony Chavonne and Fort Bragg Garrison Commander Col. David Fox will proclaim the month of April as Child Abuse Awareness and Prevention month for Cumberland County and Fort Bragg Schools.”
        The Fort Bragg Intermediate Chorus will perform inspirational songs for entertainment and The Child Advocacy Center will show videos concerning child abuse, Internet safety and the military. There will also be a presentation to inform children about appropriate and inappropriate touching.     
        Three Champion for Children Awards will be presented, with one going to a professional, one to a volunteer and one to an agency or group. The award recognizes individuals who have gone above and beyond an intervention or prevention of child abuse in Cumberland County.  The professional nominees are Lisa Pierce, Lt. Lynette Hodges, Lee Roberts, Debbie Jenkins, Pamela Love and Nan Trogdon. The volunteer nominees are Holly Van Dyke, Robert Barden and Joyce Paylor. The agency or group nominations include Blue Jean Ball Youth Planning Committee, Tiffany Pines Community Outreach Program, Cumberland County Sheriff’s Office Special Victim’s Unit and Cumberland County Multi-disciplinary Team. All nominations were provided through community referrals.           
        “The blue ribbon is the symbol that represents child abuse prevention and is a reminder that everyone has a role in protecting children and supporting families,” said Natasha Scott, social work coordinator for Cumberland County Schools.
        She noted that children who are neglected or emotionally abused may have difficulty learning to talk, find it hard to develop close relationships, be overly friendly with strangers, think badly of themselves and underachieve at school. Maltreatment includes physical abuse, sexual abuse and neglect. Most child maltreatment occurs in the family home. Young children — up to 3-years-old —  are at the greatest risk for maltreatment. “If anyone suspects a child is being abused or neglected they can call social services at 677-2450 or law enforcement,” said Scott.               
        The culmination of the ceremony involves all participants gathering around the room for a heart touching activity. 
        “At the end of the program we all gather around the room and staple our construction paper chains together and then everyone breaks the chain of child abuse,” said Haynes.                     
        The event is free and open to the public. To RSVP for the event call 321-3824.       
        If you would like more information about child abuse or resources call 486-9700. 

  •     Recently, the Fayetteville Dogwood Festival has attracted a measure of criticism for its guidelines regarding religious organizations. Festival organizers have been accused of prohibiting churches from the festival. This is untrue.
        The fact is all churches and political organizations are allowed to apply as food vendors or as hosts of sanctioned events. This information is offered when contacting the Dogwood Festival office, as instructed on the vendor application. {mosimage}
    All groups, including churches, are allowed and encouraged to participate as vendors as long as they are willing to adhere to the festival’s rules regarding the items offered for sale and how they conduct their business.
        These rules are established to make the festival fair to all vendors and enjoyable for all attendees. The vendor applications are made available for download on our website every November and are due at the Dogwood Festival office the first week of February.
    All completed applications are presented to a juried selection committee for consideration. Incomplete applications are not considered.
        Each year at the conclusion of the event, the Dogwood Festival Board of Directors convenes with the goal of evaluating ways to make the next festival even better. For example, the biggest change for this year’s festival is a result of feedback that we received regarding accessibility for people with disabilities. This year, access and parking will be markedly improved, hopefully encouraging even more participation for everyone.
        Next year, there will inevitably be other pressing needs to be discussed and worked out. We are constantly striving to have the best possible festival for all of our citizens and as always we will make     changes to accommodate any areas that need improvement.
        The people responsible for the overwhelming success of the Fayetteville Dogwood Festival for the past 26 years are all around you. They are your neighbors, your friends, colleagues and parishioners.
    The Dogwood Festival is April 25-27 and we are planning the biggest party in Fayetteville and we certainly hope to see you there! For more information about this year’s Dogwood Festival, please contact 910.323.1934 or visit us at  www.faydogwoodfestival.com.
  • {mosimage}When the Gypsy Women roll into Legends Pub for their 12th Annual Spring Fling,

    bikers and friends alike are in for a no-holds-barred, rollicking good time. The event, which

    has become a highly-anticipated annualtradition where enjoyment reigns supreme, will draw

    a crowd from all over the Sandhills region and up through the Triangle. The Gypsy Women’s

    Spring Fling is one of a half dozen terrific events held at Legends Pub each year during the

    motorcycle season. It is the largest benefit of the year, and it all starts on Fridaynight with

    a huge party to kick off the Scott Sathier Memorial Poker Run, which will push thekickstands

    up at noon on Saturday. 

    The Sathier Run is held in honor of one of Fayetteville’s own, who sacrificed his life while

    serving his country during Operation Iraqi Freedom. All of the proceeds from the weekend’s

    event, including all side events, will go into a fund to benefit Crystal Tucker, a fellow biker who

    is battling with diabetes.

    Unlike many of the overly commercialized “festival” biker events that go on, the Gypsy Women

    Spring Fling won’t bring in a huge field full of motorcycles or a tent city, they’re not trying to recruit

    a custom bike builder to make a celebrity appearance while someone else is building choppers back

    at his shop, there won’t be a custom chopper build-off and big prize money and they haven’t invited

    world-renowned musicians for entertainment. 

    With plenty of volunteers to keep things organized, Holly, Trent, and the Gypsy Women at Legends

    Pub are friendly people who know how to throw a good party. They’ve got a good time in store for

    just about everybody, with lots of good company in the bar or pool table areas and enough bikes to

    fill the parking lot. Most importantly, they do all of this to give back to the biker community.

    In addition to one really big party and poker run, Legends will host a Gypsy Women ride-in bike

    show and contest (with prizes) and lots of food. Legends Pub is located 4624 Bragg Blvd. For

    more information or for special Gypsy Women Spring Fling hours, call 867-2364.

  • In a recent column, you validated a woman’s desire to lose weight solely to meet her husband’s needs. Your encouraging her to take off pounds and get plastic surgery for him is an insult to yourself and every woman who reads your disgraceful article. I disagree with your notion that males care more about looks. I’m a heterosexual woman, and my dates’ looks are extremely important to me. For a few extra pounds to prevent a man from seeing why he fell in love with his wife is barbaric. If you’re really in love, you transcend the external. If this woman can find it within herself to love the stuff she’s made of, she’ll attract attention she never thought imaginable - the sort only unconditional self-acceptance brings.

    --Appalled


    If a woman’s sex appeal sprang from inner beauty, Eleanor Roosevelt, who looked like a scone in a housedress, would’ve been Playboy’s hottest selling cover girl of all time. 

    The woman who wrote me wanted to lose weight after stress-eating herself 50 pounds heavier in seven months. Her husband hadn’t lost track of her inner beauty, he was just having a hard time finding her waist. He didn’t stop loving her, he just stopped wanting to have sex with her. Although she wasn’t losing weight “solely to meet her husband’s needs,” when is it not in a woman’s interest to keep her husband interested? Regarding her desire for plastic surgery, if a woman’s got post-weight-loss flapping flesh she’d like removed, who am I to tell her, no, do your best to walk proud with Dumbo’s ears hanging over your skirt like pockets out of jeans?

    It isn’t just my “notion” that women are less looks-driven, but my notion based on reams of data showing that women seem to be hard-wired to care more about a guy’s status and earning potential. Sure, you can make a guy’s hotitude your priority because, at 19, it doesn’t matter so much if he’s earning his living carving carrots into swans on the street corner. Ten years from now, if you’re looking to start a family, I’m guessing you’ll be up for a little less hair in exchange for a little more 401(k). Think about it: If Bill Gates became single, women would line up like it was free tickets to The Stones. Whaddya wanna bet, when he was your age, women kicked him out of the way to get to the rocker boy who turned in cans to pay for food?

    According to you, if a man’s “really in love,” he can “transcend the external.” Lovely idea, no basis in reality. Male sexuality is much more visual than female sexuality. But, don’t just take it from me, take it from a man who used to be a woman. Griffin Hansbury, a former lesbian who underwent sex reassignment surgery, talked on “This American Life” about how he saw women before and after “T” č testosterone injections. “Before...I would see a woman on the subway, and...I’d like to meet her, what’s that book she’s reading?” Afterward, even nice ankles on a woman would be “enough to flood my mind with aggressive pornographic images.... It was like...a pornographic nudie house in my mind. And I couldn’t turn it off.”

    If anyone’s reducing this woman to the sum of her fleshy parts, it’s you. “The stuff she’s made of” isn’t 50 extra pounds. She could continue collecting chins and insist a worthwhile man would lust after her character alone, but that’s really just a different kind of unhealthy than starving yourself until you look like a praying mantis in shoes.


    Got a problem? Write Amy Alkon, 171 Pier Ave, #280, Santa Monica, CA╩ 90405, or e-mail AdviceAmy@aol.com (www.advicegoddess.com)

    (c)2008, Amy Alkon, all rights reserved.


  • Theatre is going down the toilet

    Irish director-playwright Paul Walker’s production of “Ladies & Gents” opened for a March run in New York City 29 blocks north of Broadway in a public restroom. According to an Associated Press report, the entire play takes place among the porcelain in a bathroom in Central Park, portraying “the seedy underside of 1950s Dublin,” with the audience of 25 standing beside rows of stalls, near “spiders, foul odors and puddles of questionable origin.” Walker proudly admits that he wanted to take the audience “out of their comfort zone” to create “a different energy.” Actor John O’Callaghan recalled that rehearsals were especially difficult: “One man actually came in and had a pee right in front of us. 


    Cultural Diversity 

    In October, the government of Singapore, anxious about the city’s declining birth rate, began teaching its high school polytechnic students in formal courses on how to flirt. Said Isabel, 18: “My teacher said if a guy looks into my eyes for more than five seconds, it could mean that he is attracted to me, and I stand a chance,” according to a March Reuters dispatch. The course includes “love song analysis” and how to chat online. 

    Officials in the Shivpuri district of India’s Madhya Pradesh state, needing a promising program to slow the country’s still-booming birth rate, announced in March that men who volunteer for vasectomies will be rewarded with certificates that speed them through the ordinarily slow line to obtain gun permits. Said an administrator, the loss, through vasectomy, of a “perceived notion of manliness” would be offset “with a bigger symbol of manliness.”  


    The Continuing Crisis 

    Registered sex offender Jason Lee, 28, was arrested in Cincinnati in February and charged with several counts of deception for his seemingly benevolent acts of posting bond for two female strangers who had been arrested. Later, according to police, he had demanded sex and drugs from the women as payback, and a prosecutor said Lee had trolled for names of arrested women on the Web site of the Clerk of the Court. 

    Questionable Judgments: Jason Fife was sentenced to probation and community service after harassing his estranged wife’s boyfriend with a special package delivery. Fife, said his lawyer, now “understands that in a civilized society, a person cannot send (someone) a severed cow’s head....”  

    In December, Sister Kathy Avery of St. Clare of Montefalco Catholic School in Grosse Pointe Park, Mich., held all fifth- through eighth-graders after class in the school’s chapel so she could inform them of the new rules against cussing. According to the kids, Avery held nothing back: She recited a list of the actual, blush-producing words and phrases she was talking about. Said Avery afterward, “It got a little quiet in church.” 


    Least Competent Criminals 

    Krystal Evans, 26, and Denise McClure, 24, rifled through packages on a DHL delivery truck in December in Crescent City, Calif., looking for their urine samples headed for the lab because they were certain theirs would test positive, which would have meant their return to jail. The driver summoned police, and the women were arrested for destroying evidence and violating their probation and in March were convicted and could face two years in prison. Evans’ original sample turned out to be clean, after all, but during the December arrest, she tested positive for methamphetamine. 


    COPYRIGHT 2008 CHUCK SHEPHERD   

  •  

    (Rated PG-13)


    Rated: Not even on the charts

    {mosimage}Sometimes the tag line on a movie is cute. Sometimes it’s catchy. And sometimes, it’s prophetic. Such is the case ofDrillbit Taylor, the latest release of Owen Wilson. To put it in layman’s terms, this movie was more than disapponting, in fact, I would call it simply bad. Forget about what the tabloids said about Wilson’s recent depression. It had nothing to do with his love life. Truth to be told, it was probably this movie.

    Wilson has great comedic timing. You expect him to play off-beat characters. You expect the delivery of his lines to be sarcastic. And he delivered on those expectations. It was the script that left him in the lurch. 

    The brain child of John Hughes, the man who gave us all of those great ‘80s movies čThe Breakfast Club, Sixteen Candles, the National LampoonVacationmovies čDrillbit Taylor is a story Hollywood likes to retell in various formats. 

    It’s the story of two boys getting ready to start high school č no shocker here, they are stereotypically geeky. And as is true of most geeks, they have good hearts. On the first day of school, rather than celebrating in the fact that another kid even geeker than them has drawn the attention of school bully Filkins (played by Alex Frost),  Wade, played by Nat Hartley, steps in to stop the bully from putting the kid in a locker. As expected, his intervention draws the ire of Filkins, and he, and his best friend, Ryan (Troy Gentile) become the target of the bully’s ire. The three, the geeky kid, the fat kid and the “awesome” kid have big targets on their foreheads.

    Things go from bad to worse when they take the matter of bullying up with the school principal who embodies every stereotype of the dumb principal. After being chased down by Filkins in his car, they decide to seek the services of a bodyguard č  enter Drillbit Taylor.

    Taylor represents himself as an Army Ranger, a master of dark ops and martial arts. He is, in fact, none of those things. But, he manages to keep the kids convinced that he’s on their side, all the while plotting to rob them of their excess. After Wade gets punched, Drillbit decides he needs to be in school with the kids, and poses as a substitute teacher. As he tells his friends, “All you have to do is walk around with a cup of coffee in your hand and nobody asks you any questions.” 

    As can be expected while posing as the sub, Drillbit becomes a favorite of the faculty and students č with the exception of the bully, whom he constantly gives a hard time. He also manages to win the adoration of an over-sexed English teacher who has a way of picking out real losers. 

    As the plot turns, the kids learn Drillbit is not who he says he is and their disappointment in him is crushing. “I thought you were my friend,” said Wade. 

    Not to spoil the movie for you, if you really want to waste $7, this is an undedog movie, so things always come right in the end. Maybe just not the way you thought.

    There are some good performances of bad characters by Wilson and Gentile. Gentile’s rap off against the bully brings some laughs, as does a few of  Wilson’s scenes with Hartley and with his street buddies. But by in large, the writing was weak, the plot was predictable and the characters never really grab you.

    Drillbit Taylor should stay at the bottom of your to see list. But if you’ll take some friendly advice, never even put it on the list.

  • {mosimage}The furor dies down in the final episode ofJohn Adams (Sunday, 9 p.m., HBO). The British have been defeated, the United States has been created and Adams’ epic struggles as ambassador and president are behind him. He is an old man puttering about his farm with stringy white hair, bad teeth and an ever-present scowl. Very little happens over the course of the hour, and yet this is perhaps the richest of the seven episodes.

    Much of the credit goes to Paul Giamatti. He creates an unforgettable portrait of an aging titan obsessed with the past. This is no saint, but a conflicted human being who struggles with resentment and regret. He feels neglected, his achievements undervalued. “In some circles I am openly despised,” he groans to wife Abigail (Laura Linney. “In others I am irrelevant.” Abigail rolls her eyes, and so do we.

    But a kind of redemption comes as Adams begins a correspondence with old enemy Thomas Jefferson, his only surviving peer from the revolutionary days. He sets aside jealousy sends a note to Jefferson at Monticello, one melancholy genius to another. “You and I are not to die until we have explained ourselves to each other,” he writes.

    You’ll just have to believe me when I say that a simple exchange of letters is the most moving TV climax you’ll see all year.


    The Sarah Jane Adventures

    Friday, 8 p.m. (Sci Fi)

    ThisDoctor Who spinoff is set on earth, but don’t expect any shortage of alien action. Sarah Jane Smith (Elisabeth Sladen) uses her expertise in intergalactic affairs to keep extraterrestrials from conquering the planet. Why these creatures can’t keep their cotton-picking claws out of our orbit is beyond me.

    This BBC production clearly has limited funds for sets and special effects. But it offers great English acting, cheeky satire and a rare chance to see a middle-aged woman save the world. Given all that, you’re willing to overlook the occasional rubbery monster with sagging tentacles.

     

    Princess

    Sunday, 8 p.m. (ABC Family)

    Enchanted delightfully satirized a Disney-style fairy tale while also delivering all the genre’s conventional pleasures. You appreciate this achievement even more after watchingPrincess.The TV movie goes for a similar tone and bungles it every step of the way. Did someone put an evil spell on ABC Family?

    A guy who lives in a contemporary city (Kip Pardue) falls for a real princess (Nora Zehetner) in a nearby castle. The movie doesn’t bother making sense of this scenario. What’s a woman in a Snow White getup doing in modern times? And what does she see in this charmless Prince Charming? You’re supposed to give yourself over to their fairy-tale love, but the crude stab at satire makes that impossible. The references to lesbians, drugs and stalkers strain to be hip, but even Dopey would find them dopey.

    Where’s a poison apple when you need one?


    American Experience

    Monday, 9 p.m. (PBS)

    This week’s episode details the inspiring life and tragic death of baseball star Roberto Clemente. Clemente transcended every kind of hardship to become one of America’s great heroes. He was born into a poor Puerto Rican family and began working in the sugar cane fields at age eight. His athletic ability brought him to the big leagues in the 1950s, when the odds were stacked against a black Latino. But Clemente fought against prejudice to become a beloved superstar, conducting himself with dignity as Puerto Rico’s de facto ambassador. He threw himself into civil rights and humanitarian causes as passionately as he did into baseball.

    If you skip the last 10 minutes, this program will lift your spirits for the whole day.

     

  • {mosimage} So many times we hear, “anything is better than nothing.” I even tell folks that╔ and it’s true to a point. BUT, it may not be enough to make a positive change in what our body looks like, feels like or acts like - it is simply a start! What that means is that, yes, you’ve started something, and while it’s a step in the right direction č  you might even see some change, it is not enough to carry you to your goal of “toning up,” sculpting the “wavy arm syndrome,” getting rid of a beer belly made for five years of a hard college indulgence or reversing a health problem! It is merely a start.

    Let me explain╔

    It’s a wonderful thing when someone starts on a new plan č the body responds by shedding a few unwanted pounds or inches; getting a little bit stronger, and we generally feel better about ourselves, which in turn spurs us on for a little while longer. The reality of this is that it is simply your body’s natural reaction! What’s happening is your body is responding to a new stimulus forcing it to respond. Once it’s adapted to that new stimulus, it’s now nothing more than the new “normal” for us!

    What that means is that our bodies will no longer respond to that stimulus! It’s simply part of our daily norm. Some days might be harder than others, but all in all, the body will no longer be forced to change. See, our bodies are a naturally adaptive organism designed to respond to stimulus. Positive stimulus equals positive response; negative equals negative. Nothing new equals no change!

    To make constantly improving changes to our bodies, we must constantly change what we are doing. I know I’ll step on a lot of toes out there, but once your body has responded to walking, it becomes nothing more than transportation! Yes, you can walk further and or faster, but ultimately, it just means going further and faster....Very little will change!

    Same thing with how many days you should exercise. Yes, I tell people that two days a week is a great start and we have many people who do see good results in twice a week. But, in all reality, you do need exercise the body four or five days a week╔ you just don’t have to live in the gym! We’ll talk about that in future issues.

    Two of the most important things you can do outside of proper nutrition and rest, is constantly vary your workouts and use intensity!

    How do we do this? First, start by selecting exercises that are going to illicit a huge physiological and neurological change in your body. These are compound movements that use the whole body like squatting, deadlifting and pressing. Leave the fluffy exercises till the end or skip them all together. These “big” exercises can seem daunting if never done before, but once you master them, you will find they do a lot more for you than the machines at your local gym. Next, combine your weight training with your cardio╔ mix it up. Constantly change how you exercise and do this three or four times a week.

    After that, exercise with intensity! Now that is relative to the individual╔. Intensity for someone never having exercised before is possibly five minutes and if that’s you, that is awesome! Five minutes is a HUGE accomplishment for someone who hasn’t exercised before. For those of you who go to the gym regularly, here is what intensity is not: using a piece of cardio equipment, reading a magazine, talking on a cell phone and catching the latest rerun ofFriends

    If you want to see changes in your body, in how you look, and how you feel, your workouts should be challenging and done at a level that you struggle to accomplish it. I don’t believe in the old adage, “no pain, no gain.” That’s a means to an injury, but I do believe that it should not be comfortable. Remember, we got where we are by being “comfortable.” Do we really want to stay there?


    John Velandra is the owner of Designs In Fitness and Cross Fit Cape Fear. COMMENTS? 484-6200 ext. 222 or editor@upandcomingweekly.com

  • {mosimage}Donnaha Station may sound like a curious name, but before you start scratching your head too hard, pull out a map of North Carolina and look toward the western edge of Forsyth County. Sure enough, you’ll find it. An old Native American village, Donnaha Station is the small town that welcomed guitarist Brian Spainhour into the world. And even though he’s moved down the road to Ararat, he’s given his band the name of his birthplace as a tribute to his heritage.

    During a typical set, the band will play the Doobie Brothers, The Who, Lynrd Skynrd and even Chuck Berry. “They play rock ‘n roll that’s 30 years old,” joked Brian’s father, Michael Spainhour, who saw the band’s potential. He was the one that bought their first drum set and has been behind the band from the start. He pointed out the irony that, despite the average age of the tunes the guys play, the oldest member of Donnaha Station is only 27.

    Starting out in little camper down by the river, Spainhour recalled, “They were all out just clanging on instruments when everybody noticed that Brian was kinda gifted č he could listen to a song and pick it out.” Then he would show the others how to play it. “And the next thing you know, they all took off.”

    Brian Spainhour plays the guitar, Josh Cook sings and plays the drums and Robbie Sturgis plays the bass. Michael Spainhour is the manager, booking agent, provider and dad. He also writes the poetry that Donnaha Station puts to music. He describes Brian as one of the best guitarists in the state č and not just because he’s his son. “He’s often been told that hes’s one of the best that’s around,” he said, “he can really burn that thing up!” He said that Brian can play the little frets better than most people play the big ones, and that’s what makes the differenence. “He can do some wild stuff. It really is something to watch him,” he concluded.

    Spainhour doesn’t hide his pride in the other band members either. He said that Cook “is truly a gifted musician, too.” Explaining that he can play anything, from the guitar, to the piano and the drums, “╔ but he’s excellent on the drums. That’s why he stays on them, I guess.” 

    The newest member of the band is their bass player, Sturgis. They needed a replacement for long-time member Bruce Draughn who has been very ill recently. “He’s coming along just fine,” said Spainhour, “He rode the bus all the way here from Mississippi to join the band, he’s determined to play the bass.”

    Spainhour described how the biker scene has responded really well to Donnaha Station. “They liked the 30- year-old music, and the young guys like some of the ACDC and Ozzy they play,” he said. 

    The guys ended up playing a string of gigs at Daytona’s during bike week and were introduced to Jim Sawyer, president of The Special Forces Association, at a poker run. “They asked us to play there (at a benefit concert), but we had another gig set up for that day,” Spainhour explained, “but we went ahead and told them we’d play anyways.”

    That’s when the ball started rolling. After some time and schedule wrangling, Donnaha Station decided to jump on board for the 3rd Annual Special Forces Association Benefit Festival, which will be held on Saturday, May 31, from 11 a.m to 11 p.m, at Festival Park. Donnaha Station will be one of seven North Carolina bands to hit the stage and rally funds for the Special Forces Association Scholarship, Tribute, and Benevolent Funds.

    The festival will include a ride-in motorcycle and bicycle show, a 2008 Chevy Colorado pick-up truck raffle, cash and prize raffles throughout the day, as well as other family entertainment.

    For more information about the Special Forces Association Benefit Festival, call or email Jim Sawyer at 309-0388 or chaptercpres@yahoo.com. 

     

  • {mosimage}Dear EarthTalk: How can I find out which seafood to avoid if I am concerned about lessening my impact on the environment and avoiding consuming unhealthy pollutants?   -- Pat Kelly, Seattle, WA


    Several decades ago a fish-centric diet was considered to be not only healthy but also environmentally friendly. But today those of us who eat a lot of fish may not be doing ourselves or the environment any favor. The two major concerns are overfishing and pollution.

    Demand for low-calorie, protein-rich fish has grown tremendously alongside increases in world population. At the same time, the technologies employed for catching seafood have improved to the point that the commercial fishing industry has essentially stripped the ocean of its once teeming fish populations. One recent analysis concluded that only 10 percent of the large predatory fish that once roamed the world’s oceans are left, due to overzealous sport and commercial fishing. Another study concluded that three-quarters of the world’s fisheries are either fully fished or overfished.

    Pollution from industrial, agricultural and other everyday activities like electricity generation and automobile driving has also taken a serious toll on the health of the remaining fish species. Scientists routinely find unsafe levels of mercury, PCBs, dioxins, pesticides and other harsh toxins in the fat, internal organs and even muscle tissue of many different kinds of fish. These contaminants are then passed on up the food chain to our dinner plates.

    According to Seafood Watch, a project of the Monterey Bay Aquarium that works to educate the public about the seafood crisis, consumers can make a difference by getting educated so as to make smart choices about what seafood to avoid. Consumers can download and print out free Seafood Watch pocket guides to the “best choices” across six different regions of the U.S. č after all, what’s abundant and sustainably harvested in your area may not be the same for someone across the country.

    Another convenient way to get the low-down on the fish you may be contemplating buying at the grocer or a restaurant is to text “30644” with the message “FISH,” followed by the name of the specific fish in question. In a few seconds, an automated response will come back from the non-profit Blue Ocean Network’s FishPhone service with information on the status of the fish in question č and alternatives, should Blue Ocean consider the fish an undesirable choice.

    The basic skinny on fish consumption is that if you like it, you should eat it, but responsibly č that means in moderation and armed with the proper knowledge of which types of fish to buy and which to avoid.

    For those looking to cut down on or eliminate seafood from their diets but still gain the health benefits of eating fish, plenty of alternatives exist. As most vegetarians know, beans, tofu and many nuts can be significant alternative sources of protein. And walnuts, flaxseed and hemp oil/seeds are all rich in the Omega-3 fatty acids common in many fish and thought to help ward off heart disease, cancer, macular degeneration (age-related blindness), arthritis and inflammatory disorders.


    GOT AN ENVIRONMENTAL QUESTION? Send it to: EarthTalk, c/o E/The Environmental Magazine, P.O. Box 5098, Westport, CT 06881; submit it at: www.emagazine.com/earthtalk/thisweek/, or e-mail: earthtalk@emagazine.com. Read past columns at: www.emagazine.com/earthtalk/archives.php.

  •     {mosimage}

        Reflections on family and history will dominate during the opening of a new exhibit by artist Dwight Smith at Gallery 208 on Thursday, April 17, at 5:30 p.m.
        Smith, a Michigan native who now resides in Fayetteville, has been working on the art in the exhibit since the late ‘80s. To him, the works reflect his thoughts and ideas on family.
    “Since the late 1980s, I have been creating artwork thematically described as Ancestral Reflections or Ancestral Dialogues,” he said in his artist statement. “The works were personal reflections about family and history. These works, while adhering to philosophical and stylistic tenets of abstract expressionism, significantly draw inspiration from elements of design visible in African masks, multistrip textiles, shields, body cicatrizations, ideograms and other material manifestations of African folkways. Such inspirational sources have become metaphors for my rich cultural heritage and the catalysts for making art.”
    While Smith’s collection is varied, this grouping is more personal.
        “The works in this exhibition are very special to me. They represent my artistic voice at various stages of my creative growth and development,” he explained. “When showing a large body of works at any given time, I always enjoy showing a variety of works. The visual harmony between the paintings, drawings or works on paper becomes a choir of visual voices that help me keep my artistic dialogue fresh and always interesting. I like listening to my inner responses evoked by the compositions and following the path to where they will lead me.”
        He added that many of the works are “celebrations of life or tributes to artists I know or have been fortunate enough to meet,” while others tackle “social realities concerning the world of African-American art histories and global perspectives.”
        Smith has shown both nationally and internationally. His 30-year career has allowed him to work in a variety of media, with concentration on four very different and distinct themes: abstract imagery, landscapes, textiles and mask-life forms.
        “I am fond of using the Adinkra symbols (found in the culture of West Africa). They are a visual language and each of the symbols has a message,” he said. “Such inspirational sources have become metaphors and guides for grounding myself in my rich cultural heritage and the creation of my art.”
    Along with exhibitions in the United States, Smith’s works have been seen worldwide with shows in Dakar Senegal and in 1996, his work was included in a touring exhibition North Africa. In 1999, he received critical acclaim for his solo exhibition, Peintures (Paintings) held at the L’Escalier Gallery in Aurillac, France.
    Smith is a member of the National Conference of Artists (NCA) a national organization of African American artists, art educators, curators and historians. Smith has held positions with NCA as the national president, president of the Michigan Chapter and Board member of that Chapter.  He is also a member of the Fayetteville Arts Guild.
        Smith is the president and chief executive officer of the Ellington-White Community Development Corporation, a community-based visual arts organization for young people located in Detroit and now in Fayetteville. Its mission is to promote the cultural arts and provide healthy lifestyle programs that offer young people mentoring, job training, work experiences, career exploration and leadership skills which are vital to the growth and development of a healthy community.
        “Up & Coming Weekly is delighted to have Dwight’s artwork on exhibit at Gallery 208,” said Jean Bolton, general manager of Up & Coming Weekly. “He has become an integral part of our arts community since his move to Fayetteville and we are fortunate to be able share his work with the community.”
    Gallery 208 is the downtown gallery of the Fayetteville Museum of Art. It is located in the corporate headquarters of Up & Coming Weekly. The exhibit opening will feature not only great art, but great food and excellent company. The event is free and open to the public.
        Gallery 208 is located at 208 Rowan Street. The Up & Coming Weekly offices are open from 8:30 a.m.-5 p.m. Monday through Friday.

  •     Area university art students have filled two downtown art galleries with a wide range of subjects, styles and media. The Fayetteville Art Guild invited Fayetteville State University art students to exhibit with many of its members in an exhibit titled City Image at the Arts Council on Hay Street. One block behind the Arts Center, on Maxwell Street, Cape Fear Studios is hosting an exhibit titled Paintings by the Students of James Biederman, a University of North Carolina at Pembroke professor of art.
        In the interest of fairness to both universities, I want to highlight the strengths of both exhibits and how art students, no matter where they attend, are faced with very similar problems. In the case of Biederman, it is not easy coming into a region where artists predominantly prefer the narrative and the representational to exploring non-objective abstraction.  {mosimage}
        Biederman, an abstract artist from New York City, is exhibiting a small painting with his students. Fifteen of his students are showing works that range from landscape interpretations to non-objective paintings.
    UNCP student Storm Faith has incorporated the landscape with her investigation of abstract spatial properties. Still recognizable, the tree line interprets qualities of nature and color theory. Bright in hue and dense color saturation, the viewer will read across the surface of her painting pausing in the contours of the tree shapes.
        Faith’s classmate, Scotty Thompson, investigates the potential of color as pattern, texture and surface. In the painting titled Unititled by Thompson, the artist moves the viewer across the surface of her painting with thick application of paint, her composition broken up into units and outlines.
    Kiatl Godwin uses primary and secondary colors to move us across the surface of her paintings like a broken surface. Like Thompson, Godwin breaks her paintings up into units, sections of color and texture with defining boundaries.
        Unlike the flatness of Thompson and Godwin, Shelly Romero is an example of what many of the other students were working towards—how to create depth and spatial movement with color. A difficult task for young painters, it is easy to see how Biederman works with each student individually to try and get them to grasp the concept of recession and advancement in space with color, degrees of definition and ways of working with a limited range of hues.
        Like Biederman, the faculty at Fayetteville State University is working with students to use color as a major source of energy, emotion and expression. Faculty at both institutions know color immediately communicates and heightens expression. Colors are never emotionally neutral. {mosimage}
    Rick Kenner, a painting major, uses color, value, his own x-rays and hard edge painting to evoke a sense of heightened expression in the painting titled Pathways.
        Kenner builds his Masonite forms and framing with meticulous detail, his color choices are no less meticulous in selection and application. In Kenner’s work, color is often used in contrast to a neutralized dark background.
        Twenty-five FSU students are exhibiting work, from six different studio areas: painting, drawing, computer graphics, photography, printmaking and sculpture. From the politically challenging computer graphics by Shantel Scott, to the mixed-media sculpture by Amanda Stevens (her work titled Mixed Nature is a life size fish, painted red ready to be scanned, the computer scanner in covered in fur), all the works in the FSU student exhibit show stages of development and a range of subject matter, technique and message.
    Techniques and subjects are as varied as the differences in the students in the program. Daryl Evans’ painting focuses on an oversized, magnified still life of a yellow flower next to a watch — stillness and silence exudes. In contrast, Ann Vaeth paints from life using the placement of a single chair and vegetables to construct her composition. Mike Romangano explores color, surfaces and integrating anatomy; while April Bell applies an actual ladder, constructed of branches, to the front of her painting.
        Printmakers Jonathan Diaz, Maria Marois and Dominique Johnson all investigate the possibilities of relief printing and the monoprint. Self identity dominates as a subject in their work. Diaz explores club life as a subject; for Johnson it is beauty and the African-American female, Marios focuses on the figure as part of a family construct or in abstracted space.  
        Whereas the UNCP exhibit is restricted to their painters, it is difficult in City Image to know which works are students and which are members of the Fayetteville Art Guild.
        Starr Oldorff, Fayetteville Art Guild president, was very happy with the turn out of FSU students. As best stated by Oldorff, “This exhibit gives students a venue to display their works and is an opportunity for citizens of Fayetteville to see the wealth of talent the Fayetteville Art Guild and FSU art students bring to the area.”
        Many of the long-standing members of the Fayetteville Art Guild are exhibiting. Alphonso Peppers and Rose-Ann San Martino both have interpreted the skate board tree, Peppers in the medium of photography and Bryda as an abstracted painting.
    Visitors to City Image will see the diversity within the membership of the Fayetteville Art Guild: welded steel by David McCune, textile wall hangings by Romana Gennaro, a realistic pastel portraiture by J.D. Blanton and many more styles and varied subject matter.
        One of the more striking works is the painting of a downtown cityscape by Brian Steverson titled Springtime in Fayetteville. In an impressionistic style, Steverson captures a moment of beauty and stillness in the downtown area.
        Visitors to City Image will also see work by new members to the organization. New guild member Vicki Rhoda is exhibiting a painting from a series she is presently working on titled I Look to My Family and My Family Looks Down on Me. Behind a small chair with a mask on the seat, trees in the background reach upward in a flattened space of earth colors and pattern. The title speaks to the significance of family, narration and the voice of a painter.
        Like Biederman, several FSU professors are exhibiting with their students: Shane Booth, Jonathan Chestnut and yours truly. In the spirit of a “teaching moment” please indulge me while I list all those who participated in the exhibit, yet not mentioned above, to encourage those who made the effort to get work framed and to the galleries and for their effort to share their voice with you in the discipline of visual arts.
    Additional UNCP students exhibiting include the following: Malinda McKoy, Lynwood Cox, Amber Ragland, Alenander Sauners, Daniel Webb, Themla Lou Gaines, Jason Young, Kevin Locklear, Matthew Wilson and H. Locklear.
        Additional FSU students in City Image include the following: Kimberly Anderson, Chris Boyd, Marcus Davis, April Harmon, Cathy Johnson, Lindsey Loewen, Mike Lopez, Casasndra Ortiz, Robin Jade, Lovell Pulley, Decorris Smith, Paul Smith, Angela Williams, Jasmine Wilson and Carmen Yeager.
    Additional Fayetteville Art Guild Members include the following: Stan Bryda, Peggy Hardiman Carter, Ruth Hatcher, Noreda Hess, Cathy Johnson, David McCune Sr., Grace McGrath, Starr Oldorff, Merle Prewitt, Martha Sisk, and Helen Pat Zumbahlen.
  • My boyfriend of nine months leaves a mess in my home, and it infuriates me. Although he’s otherwise a great guy, just a glass not taken to the kitchen makes me boil with rage. He doesn’t only leave glasses around, but dishes and trash, napkins and soda cans. Jackets and sweatshirts are dropped wherever. He lies on the bed without taking his shoes off...arrrrgh! And he spits toothpaste into the sink without rinsing it out, and never does dishes when we cook or put carryout on plates. I don’t understand my anger because I sometimes leave a glass out, too. I do know I shouldn’t approach him about this while I’m this upset. 

    --Pigpen’s Girlfriend 


    Where does your boyfriend think dirty dishes go to die? Do they jump out an open window and smash themselves on the pavement? Leap into a sinkful of soapy water and drown themselves? Or, do they hire a hit man to do the job? Maybe an aging housewife who breaks into your place in the dead of night, slowly and methodically pulls on rubber gloves, then holds the plates under water until the deed is done. 

    Your boyfriend could be pondering this question nightly, but it seems he’s too busy flopping on the bed, swinging his big shoes onto your duvet, and snoring. Meanwhile, you’re storming around the house collecting cans, snarling, “What does he think, that I answered an ad for a fully furnished dumpster with cable TV? Or was he worried I’d get lost making my way back from the living room to the kitchen? How sweet of him to leave a trail of dirty napkins to mark my path!”

    Next, he’ll complain there’s no mint on the pillow č or, worse yet, he’ll slip and call you Mom. Who, exactly, does he think picks up all this stuff he drops? Actually, he probably hasn’t the slightest idea. In fact, while, for you, one empty Chicken McNuggets box on the couch turns your apartment into a Superfund site, your boyfriend might have to sit on the thing to realize it’s there. As I’ve written before, research shows that, in general, straight men don’t have the filth- and clutter-vision women and gay men do. Men generally have better distance vision, and can maintain intense focus on small-scale projects, but they’re prone to overlook environmental detail č increasing the chance that they’ll let the chips (and the empty potato chip bags) fall where they may.

    Okay, so the glass is not only half-empty, it’s been on your foyer table for three whole days. How could your boyfriend not know how upset this makes you? Well, there is the fact that, instead of sweetly telling him what works for you, it seems you’ve spent the better part of a year festering with hate. Your inability to ask, “Mind doing the dishes tonight?” or tease him about the difference between a bedspread and a sidewalk, suggests there’s more to this than liking things tidy. Are you anxious or insecure, and manifesting it in a Gestapo-like need to control your environment? Are you skittish about commitment and seeking an out, like the idea that he doesn’t respect you? If you want to be with him, tell him what you need. If he cares about you, he’ll make an effort. He might sometimes screw up, but he’ll probably put a good spin on it: Dinner with you was so romantic and wonderful, he wanted to leave you a little something to remember it by č something day-old and encrusted on a plate. Come on, look closely at that petrified moo shu. Can’t you see a heart? 


    Got a problem? Write Amy Alkon, 171 Pier Ave, #280, Santa Monica, CA╩ 90405, or e-mail AdviceAmy@aol.com (www.advicegoddess.com)

    (c)2008, Amy Alkon, all rights reserved.

  • While March Madness dominates intercollegiate athletics, another group of collegians works out amidst coaches’ whistles, endures bloody, 12-hour practices, and cheers on teammates preparing for the national championship in meat-judging, in which about 40 colleges compete, according to a March Wall Street Journal report. Coaches at powerhouses like Colorado State and South Dakota State say skills such as evaluating T-bone cutting and spotting whether a pig has too much back fat come with determination and concentration (and, of course, practice, as one coach said it all comes down to time spent in the meat locker, at 38 degrees (Fahrenheit)). (And pro scouts are watching from the stands, representatives of U.S. meat companies, seeking talent.)


    Fine Points of the Law 

    Italy’s highest appeals court ruled in March that it is not illegal for a woman to lie in a police investigation if the reason is to cover up her adulterous affair. Court of Cassation judges said that her honor is more important than providing intimate information about her lover. 

    The North Carolina Court of Appeals voted 2-1 in February to approve a worker compensation claim for only one of a woman’s breast-implant replacements, ruling that the other implant ruptured (in a job-related accident) only because it had been improperly installed. (The dissenting judge said, even so, the compensation fund should pay for the second replacement, too, because to achieve their purpose, both breasts must be aligned properly on the chest.) 


    The Entrepreneurial Spirit! 

    When Johnny Diablo’s year-old vegan restaurant failed to catch on in Portland, Ore., last year, he converted the space into Casa Diablo’s Gentlemen’s Club, which is what he believes is the world’s only vegan strip club. He has no rule against meat-eating dancers, he told Willamette Week newspaper in February, but won’t permit leather, fur, silk or wool outfits on stage (no “murder victims” in the club, he said).  

    Cosmetics from the American company Blue Q, under the “Lookin’ Good for Jesus” brand urging users to “Get Tight with Christ,” were pulled from stores in Singapore in February due to complaints, but Blue Q said it’s not abandoning that line of hand and body creams, lip balm, breath spray and bubble bath. (Of course, Blue Q also markets similar cosmetics under such brands as “Dirty Girl,” “Cute as Hell,” “Total Bitch” and “Virgin/Slut,” as well as a car air-freshener by its brand “Cat Butt.” 


    Science on the Cutting Edge 

    A team of researchers from the University of Calgary and the Tokyo Institute of Technology proudly announced in February that they had successfully stored “nothing” inside a puff of gas and then had managed to retrieve that same “nothing.” That “nothing” is called a “squeezed vacuum,” and the physicists tell us that a light wave can be manipulated so that its phases are of uncertain amplitude, then the light itself removed so that only the “uncertainty” property of the wave remains. 

    In February, the South Korean cell phone company KTF announced a new voice-analysis program for its customers to enable them to evaluate their sincerity when calling a lover. The caller can point the phone’s camera at himself and see a meter on the screen measuring his own passion, then receive a text message afterward noting voice expressions by the person receiving the call (surprise, honesty, etc.). 



    COPYRIGHT 2008 CHUCK SHEPHERD   

     

  • {mosimage}Dear EarthTalk: How safe are the fire retardants that are used to quell forest fires across the American West?

    -- Barbara, Minneapolis, MN


    So-called long-term fire retardants - those usually dropped from airplanes over forest fires - are comprised of water mixed with a slurry of chemicals, thickeners and corrosion inhibitors designed to prevent plants on the ground from igniting, keep the ingredients from separating and dispersing during targeted drops, and ensure that the harsh chemicals on board the plane don’t endanger the flight’s safety.

    Firefighters sometimes add iron oxide to make the fire retardant turn red when applied so they can see where they have already covered. Ammonium phosphate and ammonium sulfate, known for their use as agricultural fertilizers, are also often added to provide nutrients to help the forest regenerate after a burn.

    In recent years, where global warming and droughts have exacerbated forest fires across the American West, federal and state firefighting agencies have upped their cumulative annual use of long-term fire retardants to some 20+ million gallons a year spread across tens of thousands of individual fly-overs. 

    While such chemicals have been valuable in minimizing the damage of forest fires, their use comes with a price. The nitrogen in ammonium phosphate and ammonium sulfate can wreak terrible havoc on aquatic ecosystems, creating algae blooms that kill fish by choking out their oxygen. A 1998 study by the U.S. Geological Survey’s Northern Prairie Wildlife Research Center, found long-term fire retardants to be “very toxic to aquatic organisms including algae, aquatic invertebrates and fish.” The study also said that fire-fighting chemicals “could cause substantial fish kills depending on the stream size and flow rate.” 

    These chemicals have also been shown to affect some plants’ reproductive capacities. One study found that spraying fire retardants in some cases decreased plant species diversity, as weedier species better adapted to make use of excess nitrogen in the soil tended to thrive while native species were not able to compete.

    In 2000 the U.S. Forest Service issued guidelines for use of fire retardants by aerial fire fighting crews. While the focus of the document was fire control and safety, it encouraged pilots to avoid applying retardant within 300 feet of waterways or other sensitive areas. The Forest Service acknowledges the risk of using retardants, but believes that their use in moderation is a net gain; as fewer “ground troops” need to be sent in to risky situations while more property can be saved from the ravages of a fast-moving fire.

    Fires are actually an essential part of forest ecology and many species of trees and plants thrive in part because of the natural occurrence of fires (sequoia trees, for example, depend upon the high temperatures of forest fires to pry open their cones so new seeds can spring forth and take root). The main reason that such catastrophic, news making fires occur in the first place is that humans have sprawled too closely to the forest edge. This has lead to forest management policies that suppress natural fires, causing large build-ups of tinder-like woody debris that eventually ignites and burns out of control.


    GOT AN ENVIRONMENTAL QUESTION? Send it to: EarthTalk, c/o E/The Environmental Magazine, P.O. Box 5098, Westport, CT 06881; submit it at: www.emagazine.com/earthtalk/thisweek/, or e-mail: earthtalk@emagazine.com. Read past columns at: www.emagazine.com/earthtalk/archives.php.

     


  • {mosimage}When I attended Methodist College my professor, Mr. Green, used to ask us every night if we had “any unfinished business.” He asked this after our Death and Dying Class. He told us to make sure we didn’t because we didn’t know if we would ever see each other again. Over time it became more than a phrase or a teaching point. It became a way of thinking because it became clear to me how fragile life is.

     When I get on my bike in the morning I ask myself “Who’s going to try to kill me today?” I say this to get my focus on business. We all know that riding is dangerous not so much because of our skills but because someone else isn’t watching out for us or we don’t see them. No matter what the cause is, if an accident occurs, as riders we have responsibilities which go beyond our riding.

     I wish this was a cool article about riding, but this one is on responsibilities of the worse type. In my wallet I have a piece of paper wrapped around my driver’s license that reads “If you are reading this, I’ve screwed up. Please call╔..”and I give contact information for my family members. I printed this up after seeing a few wrecks and wondered how hard it was for first responders to track down someone’s relatives or next-of-kin. At first I just had it in my wallet but my cousin Jerry, who is a fireman in Raleigh, suggested that I wrap it around my license. That was a great idea.

    My letter goes on to give addresses, home, cell and work numbers where these people can be found. I give them an alternate person to contact, as well as my blood type. I also tell them I am a donor and my last sentence reads “Thank you for scraping me up.”

     It’s pretty funny and my hope is to tell my last joke if this happens to be my final publishing. I’m a funny guy like that, but seriously I don’t want a policeman or first responder spending the day trying to figure out my life story. We live in a military town and because so many people have their licenses and tags registered at their home-of-record it could make finding a loved one difficult. No one would like to see anyone wasting a day trying to find your wife or husband in Biloxi, Miss., only to discover that they actually live off Owen Drive.

     It is also important to have your legal affairs in order in the event of something tragic occurring. Many of us ride with our significant others and if something happens to both of us, it is our responsibility to make sure that our family is taken care of. If you don’t have a will, living will or durable Power of Attorney, you will want to speak with an attorney to make sure that you have your affairs in order. Oh, did I ask you if “there is any unfinished business” before I go? 

    If there is a topic that you would like to discuss, please send your comments and suggestions to

    motorcycle4fun@aol.com. RIDE SAFE!

     

  • Have we come to a time in this country when we are ready to deal upfront and honestly with our grievances and hopes concerning the burden of racial misunderstanding that is woven into the fabric of American society? 

    Our recent public discussion of portions of Jeremiah Wright’s sermons reminded us that race can still pop up anywhere when we are thinking about politics and national leadership decisions. Then Barack Obama’s speech on race in America last week gave many of us hope that we can face these complexities and emotional minefields more openly and positively. But others, with despair or cynicism, assert the hopelessness of ever dealing with this confounding national burden. 

    Coincidentally or providentially, I have been reading book about the struggle of another group of Americans to overcome discrimination and suspicion to find a secure and welcome place in this country. 

    Durham native Eli Evan’s classic memoir and study of Southern Jews,The Provincials: A Personal History of Jews in the South, was recently reissued in an updated and expanded version by UNC Press. (Evans is returning home this weekend to appear at the Triangle Jewish Film Festival in Cary. 

    Originally published in 1973 when the Civil Rights revolution was still painfully readjusting the legal framework of southern race relations, Evan’s book chronicled the special challenges that Jews faced throughout their history in our region. More specifically, his personal memoir deals with the North Carolina experience of his family. 

    Evan’s parents were the children of immigrants from Eastern Europe who came to North Carolina as house-to-house to house peddlers, then storekeepers, then successful business owners and finally respected civic leaders. 

    His father, Mutt Evans, eventually won election as mayor of Durham, crafted a role as a progressive and gained respect and affection from his community. His uncle, Monroe Evans, served as mayor of Fayetteville. Other members of the family took on important community leadership positions. 

    Eli Evans also achieved political success in high school and at the University of North Carolina at Chapel Hill, where in 1957 he won election as president of student government. 

    The political and civic contributions and successes of the Evans and of other Jewish families in North Carolina could be compared to the later political successes of African Americans. Similarly, those successes did not bring with them total acceptance or complete inclusion in southern society. 

    Jews continued to be viewed as different, and barriers to acceptance as “one of us remained.” 

    Evans’ poignant descriptions of his struggles to find a comfortable place in his Bible Belt homeland evoke tears and laughter. As a youngster, he joined his non-Jewish friends at the numerous revivals that were important social events in his growing up years in Durham. Enjoying the music and rhythms of the service, he was caught in a panic when the preacher called for uplifted hands to signify salvation. “Lift it high,” the preacher said. “Lift it high as you can. Lift it and say ‘I am saved.’ Higher. You can do it. Let Him in your heart. If you can’t lift it, something is wrong.” 

    When someone lifted Eli’s hand, “Wild-eyed and afraid, I jerked my hand away and bolted out of the tent as fast as I could, heading for home.” 

    Christmas and Easter seasons presented special problems for the young Eli, seeking acceptance but trying to remain true to his family’s religious heritage. What was he to do during the Christian devotionals in his public school classrooms? How was he to participate in the Christmas pageants? When a teacher assigned him the “best” part, Joseph, he respectfully and firmly declined, only to be given the part of the evil tax collector, “the heartless representative of King Herod.” 

    Constantly having to explain to his non-Jewish contemporaries why he was a little different from Christians, he acknowledged his uncomfortable confusion. “Deep down, Jesus still worried me.” 

    Like Obama’s recent speech, Evan’s book is an open and personal invitation to step into the shoes of others, to discuss and explore our real divisions, and then to find in those differences a basis for respect and celebration of the kind of unity that is the best of America’s potential č and promise.

     


  • The Ruins (Rated PG-13/R)

    Rated 5 Stars

     

    {mosimage}Every PG-13/R movie released in the last three months showed the trailer for The Ruins (91 minutes). At first, this movie looked intriguing, then after the sixth time the trailer flashed on the screen, it started looking a little cheesy. Last week, when the trailer appeared in front of Doomsday I yelled at the screen. Of course, for such an overexposed movie, internet buzz and hype from people who read Scott Smith’s novel (he also scripted) guaranteed that I would at least give this one a try. Since the only other movie that looked promising this week was Stop-Loss (and I love Kimberly Pierce╔but that does not look like a movie a reviewer can sum up in 500 words), I wandered in to see The Ruins somewhat reluctantly.  

    Once I got past the slow start (why spend so much time watching the leads drink tequila?  Let’s get chopping!) I was pleasantly surprised to discover a somewhat original, fast paced, horror movie filled with above average characterization. Remembering, of course, that the average horror movie characterization involves creating obnoxious one-note characters the audience is glad to see mutilated.  

    Medical student Jeff (Jonathan Tucker) and his girlfriend Amy (Jenna Malone), along with Eric (Shawn Ashmore) and his girlfriend Stacy (Laura Ramsey) head for an archaeological dig with Mathias (Joe Anderson) and Dimitri (Dimitri Baveas) on the last day of their Cancun vacation. Once at the site, creepy non-talking Mayan children fetch even creepier weapon-wielding Mayan adults, and the group is forced up a vine-covered pyramid. At first, they decide to conserve their supplies and wait for rescue, but supernatural attacks sow panic and dissent among them. Their cell phones prove useless, and various injuries are sustained by several members of the group as they search for a way off the pyramid. Gradually, they realize that help will not arrive in time to save their lives, and the group is slowly whittled down one by one.  

    The usual horror movie desperation occurs, but it occurs alongside some effective character development. Take bets on who will survive, and you may end up surprised, as characters that initially appear strong quickly crack under pressure. For a movie I expected to dislike, I was pleasantly engrossed (with the emphasis on “gross”) with the story. The special effects on the mutilation shots made me groan, and there is nice attention to detail on the antagonists and the dead bodies. The lighting is superb, with the sunlit top of the pyramid creating a nice contrast to the dark inner chamber. Unlike many movies, only one or two bits slowed down the pace, and it felt more like 45 minutes than 91. However, with such a strong original plot, it was disappointing that the female leads spent so much time half naked. The male leads get to wear long shorts and shirts, but at least one of the female leads spent most of the movie stripped down to her panties and covered in dirt and blood.  

    Overall, a nice little movie that made me forgive Jenna Malone for the self-indulgent travesty that was Corn. The Ruins will play well with Stephen King fans, and anyone who liked The Mist, Day of the Triffids, and Hostel. Bravo director Carter Smith, Bravo.

     


  • {mosimage}One of cable’s deadliest traditions is the interview with a faded old star, conducted by a starchy James Lipton type. The only drama in such shows is waiting to see if either interviewee or host lapses into a coma.

    Alec Baldwin’s interview with Gene Wilder inRole Model (Tuesday, 8 p.m., TCM) is altogether different. This isn’t a stiff hour of hero worship, but a lively conversation full of anecdotes and insight. Baldwin is masterful in the interviewer’s role (someone please sign this man up for his own talk show immediately), and Wilder responds with candor and eloquence.

     He admits to being “a very mixed-up fellow” as a young man. Years of therapy straightened him out, and years of training in the Actors Studio and Broadway productions prepared him for a career in movies. Wilder tells memorable stories about makingThe Producers,Blazing Saddles,Willy Wonka andYoung Frankenstein, the latter featuring his own script. It’s startling to hear this gentle man admit that he worked up Dr. Frankenstein’s maniacal frenzy by tapping into “rage at my first wife.”

    Remind me never to marry Gene Wilder.


    Miss USA

    Friday, 9 p.m. (NBC)

    At last year’s Miss Teen USA, Miss South Carolina babbled incoherently in her Q&A and became an instant airhead celebrity. She appeared on talk shows, news shows and awards shows as America paid tribute to her formidable stupidity. Meanwhile, the articulate young woman who actually won the pageant was forgotten within seconds.

    I’m sure the lesson was not lost on the current Miss USA contestants. Don’t expect any of them to make a lick of sense in the interview segment.


    The Memory Keeper’s Daughter

    Saturday, 9 p.m. (Lifetime)

    This TV movie lives up to its dumb title. Based on Kim Edwards’ bestseller, it’s an over-the-top melodrama about a doctor (Dermot Mulroney) who delivers his own twin babies in a howling snowstorm. He’s horrified to see that one of them has Down syndrome, so he orders the nurse (Emily Watson) to take it to an institution, then tells his wife (Gretchen Mol) that the baby died during the delivery. But the nurse smuggles the baby to another city and raises it as her own.

    The movie takes itself very seriously, with an abundance of tears, rain, flashbacks and accusing glances. There’s not a hint of laughter, unless you count your own.


    American Experience

    Monday, 10 p.m. (PBS) 

    Walt Whitman’s words still leap off the page, but Whitman himself doesn’t leap off the screen in PBS’s profile. It’s a solid enough introduction, but when the subject is America’s first great poet, would it be too much to ask for a bit of poetry in the filmmaking? And, no, shots of floating swans and waving grass don’t count.

    We get conventional talking heads discussing the stunningly unconventionalLeaves of Grass, and it’s kind of a letdown. You sense that the filmmakers were afraid to take off their shoes and roll around in the mud, ł la Whitman. Not me, though č I’m sitting naked in the forest as I write this blurb.


  • {mosimage}Whether it’s somewhere in the search for an AIDS cure, fighting the extremes of global poverty or taking a stand against widespread violence and aggression around the world, the David Crowder Band acknowledges that the need for major change is evident and growing.  Knowing that in recent history, popular music has been used to motivate the masses and bring about change, this Contemporary Christian band has decided to lend its voices to a movement of hope and peace.

    The band, originally from Waco, Texas, recently released its sixth full-length albumRemedy, which addresses the need the band sees for an ultimate remedy. Acknowledging that ordinary words and songs can only do a little to create lasting change, the David Crowder Band hopes this newest offering will truly inspire listeners to action.

    “It seems there is always music attached to social change,” said Crowder in a recent interview withChristianity Today. “Music allows a community and individuals within the community to express themselves; and then turn minds to social action.” He said that the band developed the songs forRemedyaround what they felt this “music of change” would sound like in their own church, since movement was an undercurrent there as well.

    “When music finds its way to people who attach readily to lyrics, it pulls on them and they can’t help but participate,” Crowder added. He hopes that this attachment will move people beyond buying products from companies that give to charitable organizations, to actually stepping out and getting involved in the process.

    Remedy, is comprised of 10 of the band’s most pop-centric tunes including their fastest charting single to date, “Everything Glorious” which cracked the Top 10 on its Christian AC Indicator chart in just seven weeks.  The music dives deep into the theology of worship and talks about what it means to be a part of the remedy that people around the world so desperately need. “What we were after here was to make songs that move you to act, rather than present more ideas and dialogue,” Crowder concluded.

    Some other highlights on the album include a special guest appearance by the Motor City Madman Ted Nugent on “We Won’t Be Quiet,” the energetic and driving tune “Neverending” and the synth-laden dance track “Can You Feel It?”

    The David Crowder Band will take center stage at the Crown Arena on Sunday, April 13, at 6 p.m. Ticket prices range from $20 to $38 and may be purchased at the Crown Center Box Office, all Ticketmaster outlets, Ticketmaster.com or by calling 223-2900. The Crown Center’s main box office is located at the Crown Coliseum and is open Monday through Friday, 10 a.m. to 6 p.m. and Saturday 10 a.m. to 2 p.m.  For more information, visit www.atthecrown.com.


  • Twenty-four hours after viewing Good ‘Ol Girls at the Cape Fear Regional Theatre, I found myself heading out to a wedding with my version of good ‘ol girls č my friends Becca and Suzy. They were beside me in the audience the night before watching the play. The whole way to the wedding, we were quoting lines from the play. That says a lot about this{mosimage}{mosimage} play. Not only did it have us in stitches throughout the performance (and sometimes in tears), it kept us in stitches hours later. So, with that in mind, we’re telling you, “Run, don’t walk to see Good ‘Ol Girls.”

    Having seen our share of plays at the CFRT, we’ve seen some that we loved, and some of them not so much. But this play takes the cake. Written by Lee Smith and Jill McCorkle, Good ‘Ol Girls knows women intimately. It speaks to our past, our present and our future. It dives into our hopes, our successes and disappointments. More importantly, it celebrates all of them. Unlike other stories that demand perfection from women, Good ‘Ol Girls treats us gently. It acknowledges our faults, our wiggly pieces, our quirks and weaknesses; and then it celebrates them. Instead of beating us up, it lifts us up. And for a modern woman, that’s quite a change.

    The story, told through monologues and music, touches on many aspects of a woman’s life: her teen years; her yearning for love; her yearning for a spiritual connection; her ability to excuse the faults of others, while beating herself up over her own. It celebrates the iron hidden beneath the velvet of a woman’s character. We don’t think Bo Thorp, the CFRT artistic director, could have found six actors any better to tell the story than Pamela Bob, Kendra Goehring, Libby Seymour, Gina Stewart, Cassandra Vallery and Liza Vann.

    In most plays, there is usually some member of the cast who shines a little brighter than the others. That wasn’t the case. Each of the women brought a unique and important part of themselves to the production. From Pamela Bob’s wild child to Cassandra Vallery’s birthing scene to Gina Stewart’s nursing home resident, each character portrayed resounded with “realness.” It didn’t seem as if they were acting, but rather that they were living the life of their characters. And, that’s when theatre shines.

    The audience was enthralled. Throughout the evening you could hear whispers and giggles as members of the audience identified themselves in the characters. The four “good ‘ol girls” sitting next to us were hugging each other in laughter. The two in front hooting when a line struck a chord. And even the men in the audience found something to laugh about č whether it was the attention they garnered when the actors singled them out or the eye-opening insight they gleaned to the secret parts of their spouses.

    If a play can ever truly be called a masterpiece, this one comes close. Were their some issues with sound? Yes. Did it matter? Not one bit. Did an actor occasionally stumble over a line? Once or twice č but that’s the heart of this play. For all that society expects us to be perfect, we’re not. We, like the play, are perfect in our imperfection.

    So grab your mother, your sisters and your best friends and RUN to get tickets to this play. But leave your children at home. In addition to having big hair, good ‘ol girls also speak frankly about a lot of things č things your children just aren’t ready to talk about yet. 

  • Just after daybreak on Saturday, April 5, the troops will begin to assemble and Ronnie Goldman ? general for the day ? will give the officer’s call. Goldman, who is in his fourth year organizing the Civil War Reenactment at Campbellton Landing, is gearing up for a great skirmish in the clash between the blue and the gray. {mosimage}

    “I’ve always been interested in the Civil War,” said Goldman, “from the time I was a little feller, I’ve always been fascinated.” He got into reenacting with some friends years ago and said it was only natural.

    The rich heritage of Campbellton Landing makes it the perfect place to host the living history event. Legend has it that a real skirmish between Union and Confederate troops broke out at the site. And when work crews began construction on the amphitheatre, they uncovered trenches and fences that the soldiers used to fight behind during infantry battles. 

    The reenactment will take place on land that actually saw fighting. “It’s on the site where Sherman crossed the river on a pontoon bridge, after he burned the arsenal in Fayetteville,” he recounted. “When the Confederates left Fayetteville, they crossed the Clarington Bridge, ? which is where the Person Street Bridge is now ? and they burned it when they left to slow the Union down as they came through.”

    He said that for this particular skirmish, troops will be firing the 12-pound Napoleon cannons, which were the most widely used gun of the Civil War. “The mount houses we’ll have here were actually the easiest moved,” he explained. “You could pack one of them up and move anywhere really quick.”

    Before the day-long event begins, Goldman will call together all the officers of the different units involved in the reenactment to discuss what the battle is going to look and feel like for the participants and the audience. He said: “You give them an idea of what you want it to look like, and everybody just goes from there.” The rest of the day is spent watching the battle unfold. There are no practice runs and nothing is scripted.

    {mosimage}In addition to the reenactment, Campbellton Landing will host a mid-afternoon concert at 3 p.m., with the bluegrass sounds of the South River Boys and a night fire at 8 p.m. “Hopefully, it’ll be dark enough by then to look really good,” said Goldman. He’s still working on arrangements for a Ladies’ Fashion Show and a guest speaker to deliver a historical lesson on the role that African-American soldiers played on both sides of the war.

    Festivities will begin at 10 a.m., at Campbellton Landing, which is located downtown off Person Street. Admission is free and parking is $5 for the entire day. Refreshments will be available at the Campbellton Landing Amphitheater concession booth throughout the day. 


  • My wife of a year is from a very conservative culture (a Muslim country). She said she’d only dated three guys, and only kissed and 
    held hands. I told her it’s nice she was a virgin, but honesty was more important. She kept saying I was the first man to touch her, 
    sleep naked with her, awaken her sensuality and on and on. Later, she let it slip that she’d slept naked with her exes, but said she’d
     never lie to me again. Eventually, she let it slip that she’d pretty much done everything but intercourse with two of these guys, but it 
    was a detail she’d forgotten. She doesn’t understand how it hurts the male ego to repeatedly say, “You’re the only guy I’ve been with,
    ” then, “Sorry, I forgot, you’re the third.” Had this happened with a guy in her culture, it would have resulted in immediate divorce, and
     maybe something much worse. So, do I divorce her or let this go? I’m concerned she may be hiding other things. 
    --Betrayed

    In our country, if people find out you’ve had premarital sex, they might hoot and slap you on the back once or
    twice. In Muslim countries, they bring in a guy with a bamboo cane to do it 100 times.In Saudi Arabia, it’s not 
    just premarital sex that’ll get you in trouble, but premarital seating. Religious police there actually arrested an 
    American businesswoman for sitting with a male colleague in Starbucks after her office lost power and she needed 
    WiFi. The Times of London reported that the woman was interrogated, strip-searched and jailed for violating laws against public contact between unrelated men and women. The judge
    reportedly told her, “You are sinful and you are going to burn in hell.” You have to wonder, if she gets hell for sitting 
    near a man in Starbucks, what happens to the giddy 15-year-olds I saw groping each other in the big chair? Is there Hell Plus? Advanced Hell? Or maybe “New Hell! Now With
    Extra Charcoal!”?
    Ask a Western woman if she’s “dated” a lot, and she isn’t likely to confess, “Why, I’m the Whore of Babylon!” Yet,
    you married a woman from a culture where slut can equal death, and you thought all you had to do to get her to
    spill everything was tell her honesty works best for you? As for telling you that you were blazing uncharted
    territory, and were quite the lover to boot, even Western women with sterling integrity have been known to exclaim,
    “Wow, that thing’s enormous!” Meanwhile, they’re thinking, “...compared to the stub of a No. 2 pencil.”Poor Booboo, 
    you weren’t her first. Or her second. And there is that possibility you weren’t even her third. Get over it. All this
    moping is distracting you from the essential question: Did she lie about her sexploits out of some ingrained policy 
    for self-preservation, or are you likely to wake up alone one morning and find that your bank account’s cleaned out, your 
    car is gone and she’s even taken the dog? The fact that her character is kind of a mystery to you suggests you 
    pledged to spend the rest of your life with a near stranger. Smooth move, dude! At least get to know the woman
     before you divorce her: Is she ethical? Even when nobody’s looking? Does it mean something to her to do the right
     thing? Does she act in your best interest or does she just act interested out of self-interest? I know, boring questions, but they’ll ultimately be more instructive than interrogating her about whether she
    let Achmed get to third base in the summer of 2003.

    Got a problem? Write Amy Alkon, 171 Pier Ave, #280, Santa Monica, CA╩ 90405, or e-mail AdviceAmy@aol.com (www.advicegoddess.com)
    (c)2008, Amy Alkon, all rights reserved.

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