As the great Irish playwright and political activist George Bernard Shaw said, “Don’t wait for the right opportunity; create it."
That’s exactly what 226 The Warehouse and new Special Events and Marketing Director, Ayana Washington did with a new initiative, The ArtBeat of The Warehouse. What started as a tour of the venue space for an upcoming event turned into a partnership that will bring some of the best events of 2025.
Although 226 The Warehouse has only been open for a short time, it has already made an impression on the city. It hosts events for Cool Spring Downtown District, private parties, military balls, and weekly game nights. The space is unique to the downtown area, in its ability to cater to a variety of events, easily creating the perfect ambiance for any occasion of any size.
When Washington walked through the place, that is exactly what she felt saying, “226 The Warehouse is a transformative venue that can adapt to any vision. With the help of event coordinators like myself and Ebony, the space can become whatever you imagine—from an elegant gallery to an energetic performance venue. It’s a blank canvas just waiting to be filled with creativity.
“While exploring venues for The Blueprint Concert & Awards, I toured 226 The Warehouse and spoke with the owner, Rob. I shared my vision for the event and opened up about the challenges artists face in finding affordable spaces to showcase their work. Rob saw the potential for collaboration and asked about my skills. Our partnership was born when he offered me a creative home for my ideas, and in return, I offered to assist with marketing and updating the venue’s website.”
Washington and 226 co-owner Robert Savage have been diligently planning a score of events and the rollout of the initiative to the community.
“The ArtBeat of The Warehouse initiative is designed to empower artists by providing them with a versatile and welcoming venue to showcase their talents. By offering a space that adapts to various artistic expressions—be it visual arts, music, dance, or poetry—226 The Warehouse enables artists to reach new audiences and engage with the community. This initiative not only alleviates the financial burden of securing performance or exhibition spaces but also fosters a collaborative environment where artists can network, collaborate, and grow professionally. I’m genuinely excited about all of the events! Each one brings something unique to the table, and I love how they reflect the diversity and creativity within our community. I can’t wait to share even more events as part of The ArtBeat of The Warehouse,” Washington said.
There are already some spectacular events planned for the coming month.

R&B Paint Party with Black Canvas
February 6
7 p.m. - 9 p.m. After party 9 p.m.- 11 p.m.
An evening where participants create art while enjoying R&B music, guided by local artists. This event allows Black Canvas to build a new audience without the stress of venue costs, bringing the arts to more people.

Poetry Slam featuring Rudy Francisco with Wild Seed Slam
February 8
A dynamic poetry slam featuring celebrated poet Rudy Francisco alongside talented local poets. This event offers Wild Seed Slam participants the opportunity to gain exposure, perform for a larger audience, and connect with an internationally recognized artist.

Shall We Dance with Fayetteville Latin Dance LLC
February 14
7:30 p.m.- 11 p.m.
An interactive dance event introducing participants to Latin dance styles, taught by professional dancers. This event promotes Fayetteville Latin Dance LLC by showcasing their expertise, attracting potential students, and fostering appreciation for Latin culture and the arts.
Washington and 226 The Warehouse have created a home of opportunity for local artists. A space to showcase their impeccable talent, in any form.
“I want the community to know that 226 The Warehouse is more than just an event space—it’s a hub for creativity, collaboration, and connection. Through partnerships like ours, we’re working to make art and culture accessible to everyone in Fayetteville and beyond. Whether you’re an artist looking for a platform or someone seeking unique experiences, 226 is the place to be. Stay tuned because we have so much more to share!” Washington said.
Follow 226 The Warehouse on social media platforms for more information about upcoming events. To connect with Ayana and get involved with ArtBeat of the Warehouse, email info@226thewarehousenc.com.

Have you ever wondered where Fayetteville got its name? Fayetteville State University’s Black History Scholars Association, along with the Lafayette Society, are hosting a lecture that will answer that, and many more questions. The lecture is titled “Why is This City Called Fayetteville? Lafayette’s Life, Ideas, and American Tour of 1824-25” and will be given by Dr Lloyd Kramer, Professor Emeritus of History at UNC Chapel Hill.
The Marquis de Lafayette was a French nobleman who served in the Continental Army during the American Revolution. He emerged a hero and returned to the United States approximately 50 years later for what is fondly remembered as his “Farewell Tour” which spanned 1824-25 and included a stop in Fayetteville. According to the Lafayette Society, Fayetteville was the first city in the United States named after him.
Dr. Lloyd Kramer’s interest in Lafayette began in the 1970s when he spent time at Cornell University helping edit a large collection of Lafayette’s letters given to the University. The letters were written during the American Revolution and inspired Kramer to dig deeper.
“I realized from doing that, that some of the historical accounts of Lafayette seemed inadequate, or, in my view, they had the wrong interpretation of his actions and significance,” he said.
He began writing a series of essays that would eventually be published as a book, Lafayette in Two Worlds: Public Cultures and Personal Identities in an Age of Revolutions (UNC Press, 1996). He credits the book with keeping him in contact through the years with others interested in Lafayette, including residents of Fayetteville.
“Lloyd Kramer is one of the foremost scholars on Lafayette,” commented Rob Taber, Associate Professor of History at Fayetteville State University and board member at the Lafayette Society.
Taber said the Lafayette Lecture series has often covered topics related to Lafayette’s human-rights legacy, such as civil rights, local history, and black history. Last year, Taber spoke on the Haitian Revolution and its connections to the U.S. Civil War. But this year, their focus is narrower in light of the Bicentennial Anniversary of Lafayette’s Farewell Tour.
The lecture will cover the towns of Campbellton and Cross Creek and their eventual merging into the City of Fayetteville, as well as information on Lafayette’s impact and legacy. Taber said they hope to shed light on “why Lafayette loved America, and the potential that he saw in [it], and that patriotism that he brought.”
Kramer wants listeners to walk away with a better understanding of why Lafayette still matters.
“This seemed like an opportunity to acknowledge the importance of the city of Fayetteville’s name, to reflect on why that visit in 1825 was so important to the people who lived there at that time, and then, more generally, what Lafayette's life and ideas tell us about the emergence of early American nationalism, national identity, America's conception of rights and its way of defining itself as different from European countries.”
Even though these events happened centuries ago, Kramer believes they’re still relevant and tell us something about the values of the people who chose to name their city after Lafayette.
“These kinds of historical events are significant because they give people in our own time a way to think about our communities, our lives, our values, our political culture … Because everything has a history, and if you don't know that history, you can't really be a fully engaged people.”
Taber said that as a history professor, he fully expects to learn new things by attending, and described Kramer as a lively and good-humored lecturer.
“He manages to include insightful detail without putting the audience to sleep,” Tabor said.
He added that the lecture is suitable for a general audience and that “even if you've never heard of Lafayette beyond the name, you'll come away knowing more about him, you won't be lost.”
Kramer added that he hopes the lecture will help people understand “why they can be proud to live in a town called Fayetteville.”
The lecture is free and open to the public and will be held Monday, Feb. 10, from 6 p.m. to 7:30 p.m. at 242 Rudolph Jones Center.

Photo: Members of the Lafayette Society pose with books about Lafayette donated to the lending library at Fayetteville State University. Photo courtesy of Hank Parfitt)

Mark your calendars because you do not want to miss The Blueprint Concerts and Awards hosted by Book Black Women on Feb. 22, at 7:30 p.m., at 226 The Warehouse, 226 Donaldson St., Fayetteville.
The Blueprint Concert and Awards is not just an event; it is a powerful celebration of creativity and excellence in the arts and culture, shining a spotlight on the incredible talents within our community. Since its inception in 2022 as a concert, this event has evolved into a flagship occasion, uniting artists, audiences, and advocates for the arts.
This year's concert will feature stunning performances by remarkable artists who have made significant strides in their craft. Operatic vocalist Monique McLoed from the Choral Arts will mesmerize with her powerful voice. EE Smith star dancer Jordan Barnett will showcase his breathtaking talent on stage. Vocalist Kiara Hines returns to her roots after honing her skills in Fayetteville before making waves in New York's artistic scene. Alannah McMillan will dazzle us with her artistry as she builds her career at a performing arts college, while Yael Hilton brings national recognition with her exceptional talent.
The awards portion of the evening promises to be equally inspiring. Esteemed presenters like Rock 103’s Dominique Jeannette Womack and Fayetteville State University’s SeQuenna Pennix will honor deserving recipients, Cool Spring’s Ashanti Bennett, Dr. Tamara Colvin, and Up & Coming Weekly writer Amber Little.
Ayana Washington, Founder and Creative Director of Book Black Women, Inc., is deeply committed to amplifying and celebrating Black women in the arts through programming and community partnerships. The mission is clear: to uplift and amplify the voices of Black women across the arts and entertainment sectors and create spaces where their stories, talents, and perspectives are acknowledged and celebrated.
Ayana is on a mission to transform the landscape of the arts for Black women and people of color.
“I founded Book Black Women, Inc. to address the glaring lack of visibility and opportunity for Black women to create platforms that highlight creativity and celebrate their invaluable contributions, ensuring their stories are heard. It is not just about representation but also about creating an equitable future that removes barriers and creates diverse pathways to success,” Ayana shared.
Born at Womack Army Medical Center at then Fort Bragg, Ayana’s roots run deep in this vibrant community, shaped significantly by her grandfather's military service. This connection to Fayetteville is more than just geographical; it fuels her passion and commitment to creating an environment where every voice can shine brightly.
“My long-term vision includes establishing a performing arts center that reflects and represents our community. This center will be a beacon for untold stories, where narratives resonate with our diverse population, and tourable shows can expand our reach across the country. I am currently working on writing a new musical, which I am thrilled to premiere in 2026,” Ayana adds.
As a nonprofit 501(c)(3) organization, Book Black Women embodies a steadfast dedication to collaboration, excellence, and innovation in every initiative they undertake. Their mission goes beyond simply hosting events; they craft unforgettable experiences that resonate with diverse audiences while nurturing artistic expression within communities.
Book Black Women is on a vital quest to champion the artistic endeavors of Black women, providing platforms where they can thrive as architects of their own narratives. This initiative seeks to create legacies that reflect their unique experiences and contributions—artistry that speaks volumes about resilience, strength, and the beauty found in diversity.
By centering efforts around Black women, their goals are to inspire transformative change, cultivate inclusivity, and pave the way for a more equitable future.
Amber Little, an award recipient, is a proud Bladen County native who has embraced Fayetteville as home for over a decade. She brings a rich background rooted in education and community service. With a degree in English education, her early dreams revolved around becoming an educator—an aspiration deeply influenced by growing up in a household with two educators, one of which was a business owner.
Today, she channels that educational foundation into her ventures: Amber Little Marketing and The Amber Little Brand. Amber Little Marketing specializes in website design and content creation tailored for small businesses, offering content classes and branding services that empower entrepreneurs to thrive. Meanwhile, The Amber Little Brand reflects her creative spirit through writing and creative directing—allowing her to explore the art of storytelling.
Family remains at the heart of everything Amber does.
“As a proud mom of two beautiful children and partner to my better half, Geroard, for over 18 years, I understand the importance of nurturing relationships at home and within the community. My commitment to giving back is evident through my role as President of the Jai6 Youth Foundation—a nonprofit dedicated to mentoring at-risk youth—and as an active member of the Junior League of Fayetteville,” Little proudly shared.
For over a year now, Amber has considered it a privilege to be writing for Up & Coming Weekly, recently stepping into the role of staff writer. The opportunity has enriched her life immeasurably. It has allowed her to connect with diverse individuals while immersing herself in our vibrant community. Through storytelling, she strives to spotlight smaller businesses and organizations that are making meaningful contributions—because their stories deserve recognition.
“I believe wholeheartedly in the transformative power of storytelling—the essence celebrated by The Inkheart Award. As writers and creators, we hold an extraordinary ability to influence our surroundings,” Amber stated.
Come out to enjoy a promising evening of music, dance, and celebrate local women who are making significant contributions to our community. For tickets or to see all upcoming events, visit their website at https://www.bookblackwomen.org

(Graphic courtesy Book Black Women Facebook Page)

Cumberland County plans to install PFAS “forever chemical” filters at Gray’s Creek Elementary and Alderman Road Elementary, and possibly dig new drinking water supply wells for the schools.
Students and staff have been told for years they must not drink the water in their schools because the water was contaminated with GenX, a PFAS chemical from the Chemours Co. factory south of Gray’s Creek. They use bottled water instead.
Gray’s Creek resident Ron Ross, who has long lobbied the government on the contaminated water issue, was glad to hear the news. His grandson used to attend Alderman Road Elementary.
“If they do it, the kids will be able to drink the water out of the fountains,” Ross said. “They’ll be able to safely use the water in the kitchen. … It’s something until we run water lines out to the schools.”
The PFAS contamination of southeastern North Carolina, which was first reported in summer 2017, also affected homes and businesses in Gray’s Creek. There are long-term plans to extend public water to Gray’s Creek from the Fayetteville Public Works Commission. Those efforts are continuing, County Manager Clarence Grier said, and an update is expected in two to three months.
Researchers have linked PFAS chemicals to adverse health effects, including increased risk of cancer. They are known as “forever chemicals” because they don’t break down in the environment. The county has a lawsuit pending against Chemours.
While residents wait for a public water system to replace their contaminated wells, the county Board of Commissioners voted unanimously on Monday to place the PFAS filters at Gray’s Creek Elementary and Alderman Road Elementary.
The commissioners decided on Monday to install 12 filter systems at each school as a stopgap effort to clear up the water. This is estimated to cost from $90,000 to $115,000 and take two to four months to install. Grier said the installation would be done in the summer.
Operating costs for the filter systems are estimated to total $20,745 to $48,000 per year, according to a county memo.
The commissioners also voted to have the county staff evaluate a different type of filter system, that is estimated to cost $150,000 to $245,000 to install, plus annual operating costs of $18,000 to $35,175. The estimated installation time is seven to 11 months.
And the commissioners told the staff to study whether deep water wells could be dug to reach uncontaminated water. This is estimated at $200,000 to $245,000, and seven to 11 months.
“Our children there, and our children in all the parts of the county, deserve to have clean drinking water at their schools,” Commissioner Henry Tyson said. “Right now, these schools, they’re drinking out of bottled water. So it’s important that we as a board are pushing forward with this item.”

Despite a dramatic reduction in homicides in 2024, eight homicides occurred in the first 24 days of the new year in the City of Fayetteville.
The crimes were not “random acts of violence,” according to Fayetteville Police Chief Kemberle Braden, who addressed concerns about the recent murders at the Fayetteville City Council meeting on Monday. The violent start to the year, Braden said, does not mean that violent crime in the city — which was expected to be lowest in the decade by the end of last year — is increasing again.
“Like anything else, there’s going to be the ebbs and flows of what happens within our community,” Braden said. “We just have to be ready and prepared to adjust the way we handle those things.” Braden said police have already solved seven of the eight murders, while detectives are still working on investigating the latest homicide, which occurred during the snowstorm on Jan. 22.
“In each of those cases, the suspect and victims were known to one another,” Braden said of the solved cases.
Of the eight homicides, Braden said detectives have confirmed that:
• Two were “crimes of passion with no history of domestic violence”
• Two involved “negligible handling of firearms”
• Two were “lifestyle related incidents”
• One was a result of a “mental health crisis”
No juveniles have been involved in the crimes, Braden said. He emphasized that the homicides were also not examples of “retaliatory violence,” or primarily gang-related violence that involves taking revenge and often includes youth offenders.
“These incidents are a contrast to the domestic violence and retaliation-style violence we experienced in 2023 when we had a total of 52 homicides that we investigated,” Braden said.
“Again, if you remember, we talked about some of the retaliatory stuff from our youth, the gangs and things of that nature. These don’t fit that bill and we’re dealing with something totally different.”
City council members congratulated Braden for maintaining the high clearance rates that have characterized his tenure as chief with the recent cases.
“Although it was eight homicides, seven arrests were made,” Council Member Courtney Banks-McLaughlin said. “So that’s seven individuals that are off the streets, so I just want to commend you and your department for your efforts.”
Responding to questions from city council members, Braden said the police department is continuing to take proactive steps to reduce gun violence in the city, including gun safety education initiatives, violence prevention programs and partnering with the Phoenix Center, Fayetteville’s rape crisis center, to reduce domestic violence homicides.

(Photo: Police Chief Kemberle Braden addressed concerns about the homicide rate in Fayetteville throughout January. Photo courtesy of Fayettevillenc.gov) 

As I watched Donald Trump take the oath of office as the 47th president of the United States, something many Americans thought would never happen, I felt an overwhelming sense of amazement and gratitude.
I was amazed because Trump's return to the White House was American history's most astonishing political comeback. I was grateful because Trump promised to reverse the dangerous, costly policies and gross abuses of power we have endured for the last four years.
Four years ago, many Americans felt relief when Joe Biden became the president because they believed he offered them a calmer and more secure country in contrast to what they saw as the political and social chaos that dominated much of Trump's first administration.
Some of us, however, believed that Biden's presidency would be detrimental to our country because of the Democratic party's shift to the left. This movement was on full display during much of Trump's first term and especially during the summer of 2020 when there were riots throughout our country because of George Floyd's death.
Although Biden campaigned as a moderate and a unifier, many of us had seen enough of his party and its deep hatred of Trump and his supporters to know they had no intention of being either moderate or unifying.
They had a radical agenda and found a man so desperate to be the president that he would support any policy, no matter how extreme, in exchange for the White House. Biden was far more interested in obtaining power than doing what was best for the American people.
And so began four years of the very same political and social chaos many Americans hoped to escape by voting Trump out and replacing him with Biden. Unfortunately, they would soon learn what Biden and the Democratic party had in store for them.
On his first day as president, Biden signed several executive orders that immediately set the tone for the next four years for Americans. He froze student loan payments and revoked the Keystone pipeline permit, costing thousands of Americans high-paying jobs.
He issued stricter emissions and fuel economy standards for vehicles. He stopped the construction of the U.S.-Mexico border wall. He issued an order that stopped discrimination based on sexual orientation or gender identity in violation of Title IX; a law passed in 1972 that led to the creation of women's sports.
In a single day, Biden released students from repaying money they owed to taxpayers, dealt the fossil fuel industry a serious blow, opened our border and invited the whole world in without any vetting or likelihood of deportation, and enabled biological males to compete against biological females in sporting events.
By contrast, on the first day of his second term, Trump issued entirely different executive orders. He issued an order ending federal censorship and established the Department of Government Efficiency to track fiscal abuse and reduce government size.
He ended a diversity, equity, and inclusion policy, commonly known as DEI, and returned the merit system to the hiring process in government. He ordered all federal employees to return to work in their offices instead of working remotely.
Trump declared a national energy emergency to permit the fossil fuel industry to refine more oil and gas. He secured the borders by telling border agents to deport migrants without granting asylum claims, and he designated cartels as foreign terrorist organizations.
And last but not least, he signed an order stating that the federal government recognizes only two genders—male and female.
The differences between these presidents cannot be more obvious. For the last four years, we endured an administration determined to impose its radical agenda on us, no matter what the consequences. Biden did not care a bout our safety or our financial hardships. He only cared about his power as president.
Unlike Biden, Trump's only concern is for the welfare of the American people. He ran for the second time, hoping to reverse the course our country has been on for the past four years, and he will work tirelessly to achieve that. Trump refers to his second term as the beginning of a "Golden Age," in which we will accomplish extraordinary things.
With Trump at the helm, I would say that such an age is possible.

Editor's Note: The views expressed in this article are those of Mary Zahran and do not reflect the views of all of the staff at Up & Coming Weekly.
Up & Coming Weekly encourages editorials from the community, and will print letters to the editor as long as they are not submitted anonymously.

Reacting a few days ago to President Donald Trump’s brief attempt to suspend payment on a broad swath of federal grants, U.S. Sen. Chuck Schumer warned that “virtually any organization, school, state, police office, county, town or community depends on federal grant money to run its day-to-day operations, and they’re all now in danger.”
North Carolina’s new attorney general, Jeff Jackson joined others in challenging the Trump policy, issued by a U.S. Office of Management & Budget memo on January 27 and withdrawn (sort of) two days later. Jackson called the administration’s “sudden freeze in federal funding” so “sweeping that it could cause widespread and immediate harm across our state — delaying disaster recovery in our western counties, undercutting law enforcement, and affecting children and veterans.”
While it is OMB’s responsibility to ensure that federal grants are authorized by law and properly expended, I won’t defend the administration’s shambolic performance. The memo should have been more clearly worded and its import clearly understood by Trump’s own officials.
Nevertheless, the episode could have a salutary effect — because Schumer and Jackson are largely correct. Federal funds do play a huge role in the day-to-day operations of many state, local, and private agencies. That’s a big problem.
For starters, Washington is careening wildly toward fiscal crisis. We can’t just keep running massive deficits. The ratio of federal debt to gross domestic product is already higher than it’s ever been outside of wartime or the Great Depression. For North Carolina policymakers to expect an uninterrupted flow of (borrowed) federal funds is foolish. At some point, preferably sooner rather than later, Congress and the White House will have to act.
Even if you think they should hike taxes, the proceeds won’t come anywhere close to closing deficits denominated in trillions of dollars. Nor will Washington politicians slash Social Security and Medicare benefits for most seniors — wealthy retirees, don’t be so sure — or defense spending. Indeed, international events will likely compel America to spend vastly more on our military, not less.
That means virtually all other categories of federal expenditure, from housing and infrastructure to education and social services, must shrink. This isn’t ideology. It’s math. Federal funds comprise about a third of North Carolina’s state budget and smaller but significant shares of local budgets. These practices are fiscally unsustainable.
Although the arithmetic case for federal retrenchment is strong, I find another argument more compelling. Washington should never have been funding transportation, housing, education, and social services in the first place. These are state and local responsibilities, not federal ones. The United States Constitution only authorizes Congress to levy taxes and spend money on a specific list of truly national functions.
Past politicians pretended otherwise. They cited passages from Article 1, Section 8 conferring on Congress the power to levy taxes to “provide for the general welfare” and to “make all laws which shall be necessary and proper for carrying into execution” the powers otherwise specified. But these clauses were intended as limitations, not expansions — as secure fetters, not elastic bands. The “specification of particulars” in Section 8, wrote Alexander Hamilton, “evidently excludes all pretension to a general legislative authority, because an affirmative grant of special powers would be absurd as well as useless if a general authority was intended.”
One of the document’s framers, James Madison, explained that the general-welfare language was lifted from the previous Articles of Confederation and intended to limit the new government’s role to purely national functions. “If Congress can do whatever in their discretion can be done by money, and will promote the general welfare,” he wrote, “the government is no longer a limited one possessing enumerated powers, but an indefinite one subject to particular exceptions.”
Under no circumstances should the ordinary operation of state and local government be contingent on federal funding (or borrowing, in this case). North Carolinians should take back these responsibilities, as should our peers elsewhere.
No, it can’t be done overnight. But it must be done.

Editor’s Note: John Hood is a John Locke Foundation board member. His books Mountain Folk, Forest Folk, and Water Folk combine epic fantasy with American history (FolkloreCycle.com).

The Y.E.S., You + Effort = Success, program at FTCC supports male and female students by helping them achieve their educational, personal and professional objectives. The program achieves these objectives by treating each student as a unique individual. Students meet with mentors who help them design an innovative blend of academic enhancement, character development, and leadership training tailored to each student's needs. Every student in the program enjoys numerous benefits including career coaching, academic workshops, team-building events, scholarships, field trips, access to the program’s lounge on campus and much more.
Students in the Y.E.S. program enjoy unique opportunities to escape the classroom and take trips that are both fun and educational. For example, Y.E.S. program students recently partnered with other students from FTCC and from Fayetteville State University to attend the Student Leadership Conference in Selma, Alabama. The five-day trip also included visits to the Jubilee Festival as well as the Intergenerational Hip Hop Summit.
“I had very high expectations, and it didn’t disappoint,” FTCC student Joshua Farley said. “We went to different museums, and we saw just how big of an impact civil rights leaders made back then, especially our ancestors and what they went through.”
The Selma Trip is just one example of activities available to Y.E.S. program students. Read more about this trip at www.faytechcc.edu/blog/ftcc-students-connect-real-world-with-classroom-lessons-on-selma-trip/.]
Jesse Watts, an FTCC student, shared his thoughts about the program: “The Y.E.S. initiative has been a key component in my success at Fayetteville Technical Community College. It has allowed me to fellowship and connect with other male minorities who are looking to better themselves both academically and professionally. It has afforded me the opportunity to be able to exchange ideas or words of encouragement which help groom and mentor other minority males for success. Being a mentor for Y.E.S. initiative has been rewarding. Since becoming a member, I have been able to ensure other young minority men go on to continue their journeys academically at four-year universities or professionally by entering into the workforce. The Y.E.S. initiative is a program well suited for all young minority males. The culture of encouragement and challenge results in growth and overall success.”
The Y.E.S. program is open to all male and female students at FTCC. Participation in the program and all program activities are available free of charge. Are you ready to learn more about the Y.E.S. program?
Contact them today by calling 910-486-3940, emailing Richard McDonald, Program Coordinator, at mcdonalr@fayetechcc.edu, or by visiting the office at 2201 Hull Road, General Classroom Building Room 216. Office hours are held Monday – Friday: 8 a.m. to 5 p.m.

(Photo: Students with the Y.E.S. program pose for a photo during a gathering. Photo courtesy of FTCC)

“Every artist was first an amateur” —Ralph Waldo Emerson

The Cape Fear Studios at 145 Maxwell St. invites the public to the Student Exhibit open until Feb. 25. The Cape Fear Studios Student Exhibit features the artwork, paintings, and drawings of the art students of Cape Fear Studios members. The exhibit hours are Tuesday through Friday, 11 a.m. to 5 p.m. and Saturday, 10 a.m. to 2 p.m. General admission is free. For more information, the Cape Fear Studios website is www.capefearstudios.com. The Cape Fear Studios member instructors are Rose Kennedy, Sara Jane Lee, and Gene Davis. The featured student artists are Saktish Mandjny, Becky Broadwell, Charlotte Baker, Sue Godwin-Baker, Mary Pat McDonald, Lani Dickey, Ellen Bowman, Rick Booth, Marilynn Winters, Lena Simmons, Sophia Conquest, Vivian Conquest, Carter Patterson, Mikaela West, Daniel Reeves, Jessica Karis, Conner Graybill, Carly Reeves, and Chris Leal.
Georgia O’Keefe, renowned artist, maintained an artist home in Abiquiu, New Mexico with the desert vistas of Ghost Ranch. Charlotte Baker, a student of Rose Kennedy, experienced the location and desert vistas of Ghost Ranch. One of the featured paintings within the Cape Fear Student Show is Abiquiu. She also includes inspiration from a trip to Venice, Italy. The painting is an interplay of light, lines and composition.
Baker shares her views about her painting of Venice and Abiquiu, “I choose to paint from photography, so my work is my original. My husband took the photographs in Venice, Italy. I chose the focus of the light reflecting the sunny day on the architecture of the building and the water. I also visited Abiquiu and painted the view of the Ghost Forest.”
“As one of the instructors at Cape Fear Studios, I am pleased that the studio is featuring our students in an exhibit. I have a wonderful, engaging, and fun group. The artwork hanging on view displays the challenging work and continued studies in a cohesive and beautiful way,” said Kennedy.
Pandora Autry, Cape Fear Studios Board President, shares, “We have a wide range in diversity of our painters here at Cape Fear Studios in age, background, skill, and ethnicity. Our teachers are wonderful in meeting the needs and collaborating with them at their level of skills and interests, helping them to discover their own artistic voice.”
The Cape Fear Studios Student Exhibit is a must-see art show. It is an opportunity to see the emerging mastery of local artists within the Cumberland County and Fayetteville. For more information contact, Cape Fear Studios website, www.capefearstudios.com or call 910-433-2986.

(Photo: Paintings created by student artists hang at the Cape Fear Studios' Student Exhibition. Photo by Lena Simmons)

In his teen years, Isaac Canady lacked excitement about life. He wasn’t depressed, per se, just disinterested and sarcastic. He’d played T-ball for five seasons, and his sister Hannah thought he might find interest in other sports that weren’t mainstream. She found a fencing club in Fayetteville, the All-American Fencing Academy and Canady went, though he hadn’t even been aware that swordplay existed. That year his parents gave him an introductory month’s membership to the club for Christmas. The plan worked; the 15-year-old’s attitude changed. The arcane sport gave Canady something to get excited about. The last two years he’s been a Junior Olympian fencer and he’ll be competing again this year, Feb. 14-17 in Charlotte, NC.
Canady grew up in peaceful, slow-paced St. Pauls, the youngest of four, all of whom were home-schooled. Initially Baptist, the family ended up attending Pentecostal services, and now Canady favors Summit Ministries, which offers a 60-hour apologetics course to help young adults live as Christians and be able to defend their faith. He appreciates the ministry’s emphasis on how to react and respond in the world and how to respectfully debate people. “Nobody ever swayed someone in a shouting match,” he said.
His goal is to mature in his faith and be unified with fellow believers.
Financial advising and architecture, despite the intimidating math, both interest Canady. He’s working toward an “arts to transfer,” as he puts it, so he can apply his earned credits toward whichever major he decides on. Meanwhile, even though Sandhills Community College in Pinehurst is an hour away from both home and the fencing club, God still provides a way for him to train and compete.
The best way to improve your skill as a fencer is to practice what you’ve learned with hours “on the strip,” as fencers say. The second-best way is through private lessons and the third is through classes. Time on the strip, or officially the piste, is not cheap. Coaching normally runs in the $40 to $60 per half-hour range, though some coaches will share their expertise for $25 a half-hour. An All-American Fencing Academy membership includes lessons with Coach Gephard Guevarra.
Swashbuckling, or what most people think of when they think of fencing, is a ridiculous display of theater in the eyes of fencers. Although the movements may be similar, fencing is all about mastering the mind and reactions within the body. It’s imperative to maintain control of the blade. The simpler and more precise a motion, the more points a fencer will inevitably score. Fencing is a highly nuanced game that takes a chess-like mentality to excel at.
Different fencing categories are determined by the sword: foil, sabre (c.q.) or épée. In foil and sabre, rules of attack must be followed. Like a roadway intersection, fencers in those two disciplines must abide by the right or priority of attack. Your blade is also your shield, so you can earn points for a parry of your opponent’s attack if you follow up with a riposte or counterattack. You can also execute a plan of second intention, or feint, to draw a reaction that provides an opening to score.
The foil is the smallest and lightest of the three blade types. The épée is a rapier and heavier, but it too is used in a thrusting motion. For both, a wire is run the length of the blade to a button on the tip. The sabre is a triangular cavalry blade that for fencing is electrified in its entirety, registering both thrusting and slashing motions.
The strip consists of conductive metal floor sections and is approximately 4.9 to 6.6 feet wide and approximately 49 feet long. In foil, the fencer wears a lamé, a metal sleeveless bodysuit that registers contact from a button on the tip of the opponent’s sword. In sabre, the jacket is waist-length and the head is included. In épée, the entire body is targeted.
Canady is coached by All-American Fencing Academy owner Gerhard Guevarra, who fenced on the varsity team for the University of North Carolina at Chapel Hill. He trained under fencing master Ron C. Miller, has coached for over 25 years and continues to compete nationally. In 2006 he fenced internationally in the Vancouver World Cup and has won numerous North Carolina Division Championships. Guevarra holds a Bachelor of Arts degree in physical education, exercise and sports science. He served as a U.S. Army Reservist for eight years, wrapping up in 2003, and currently is a school liaison officer on Fort Liberty for the Department of the Army. Of the four children he shares with his wife, Jennifer, two fence and compete nationally.
Canady knows Guevarra teaches for love of the sport and is grateful for learning from someone who is devoted to making fencing a positive experience. Canady also takes lessons from coach David Hadler, an Army captain stationed at Fort Liberty. While earning his BA in international business, Hadler was a Division I NCAA fencer for the University of California at San Diego. He finished 24th out of 69 in the men’s foil competition at the 2017 World University Games in Taipei, Taiwan. He achieved All-American for placing 11th in NCAA championships and was also a Western Fencing Conference Foil Champion. He earned a gold medal in the 2013 and 2014 Pan American Championships, a silver in the team 2014 Junior Olympics and a bronze in the 2016 US National Championships.
Canady appreciates Hadler’s approach to conditioning: long warmups, followed by a long class. He’s also teaching Canady in a different manner, forcing his brain to develop new muscle memories. The challenge is worth it. Canady prays that God will bless him with the financial means to continue fencing and competing seriously at the Junior Olympics. He doesn’t worry, though. He knows that fencing is a generous sport to older competitors, like to the 55-year-old reporter-turned-Olympic-fencer David Wharton. In the end, Canady knows that the point is to share the gospel and glorify God.

(Photo: Canady successfully competed at the Junior Olympics the last two years and will be competing again this February. Photos courtesy of Isaac Canady)

“I want the little people to win,” says Paco Gonzalez, owner of Yellow Crayons. “When I started, it was always about the small guy and the one who couldn’t afford the 25s.”
Gonzalez leans back in his chair for a minute. On his desktop two large monitors sit with a current graphic design project pulled up that he was working on just minutes ago. It’s late on a Friday afternoon but Gonzalez doesn’t seem like he’s going anywhere, anytime soon. His truck is parked out front in his parking spot with a sign his employees gave him just months ago that reads, “Parking for the Boss Man.”
He has big plans for his business Yellow Crayons but nothing concrete.
“I have thought about expansion,” he says smiling. “It’s up in the air. The way this venue has taken me, it's carved its own path in a way.”
Gonzalez says as long as he comes into work and he is happy, he will continue to do it. He began Yellow Crayons in 2017 as a graphics design company. As he mentioned, the company carved its own path. Many of his clients would request small orders for shirts or hats and he would refer out to other businesses as he never set out originally to make those kinds of items. However, there weren't a lot of businesses that could accommodate small orders for smaller businesses. Gonzalez found himself at a fork in the road and with a serious desire to provide good service to small businesses.
“So I said, ‘You know what, I’ll do it myself.’”
He soon found himself needing more space than the rooms he rented in the Metropolitan building. He loved the feel of downtown, the festivals and the foot traffic of Hay Street. So Gonzalez set his eyes on Hay Street specifically and officially opened his first store front for Yellow Crayons in downtown Fayetteville.
“It started going well with the printing,” he says. “ … we started embroidery. That did pretty well. Next thing you know, we are bursting at the seams.”
At the beginning of his business, Gonzalez said it was more like a Build-a-Bear Concept to promotional items. Since then, however, it has really grown but something, he says, hasn't changed.
“I still love focusing on small businesses and up -and-coming businesses and making them successful.”
Gonzalez has a place in his heart for the “little guy” as he identifies with the challenges of trying to make it. Before he began this business, he found himself in several corporate jobs and doing side hustles for graphic design work. When he found out he was having a child, he had to put some things on hold like his graphic design degree at Fayetteville Technical Community College. He would later pick this back up.
As he often says, for Gonzalez, he’s got to keep growing and he’ll do anything if “the juice is worth the squeeze.” Eventually, he said he knew he had to make some changes and leave his corporate job that had nothing to do with his love for graphic design.
“I thought if I am going to ask everyone to believe in me, I need to put my all into it,” he says leaning back in his chair again. “I’m going to put my all into this. If I fail, I fail … I needed to see if I could make a run for it.”
Gonzalez has been running ever since. Now his business has seven employees and makes more in a day than he ever used to in a week when he started. And it evolves all the time.
“Every year we grow … trying to be the best we can be,” he says. “I try to listen to my customers. If the juice is worth the squeeze, then I pull the trigger.”
Gonzalez, who grew up with only brothers and a single working mom, is now surrounded by females, he says laughing. He has a daughter and a partner at home and at work his “right hand man” is even a woman. That woman happens to be his project manager, Diane Regensburger. Regensburger loves her boss.
“He’s probably the best boss I’ve ever had,” she says, glancing between her purchase orders on her computer and around the store. “He’s fair but he’s firm. He puts out what he expects of you but he gives grace when it’s due.”
One thing Regensburger says Gonzalez really does have is vision and somehow, she says, they come through every time even when she has thought they couldn’t.
“End of the day,” Gonzalez says walking around the store, “it’s all about getting the job done.”
For Gonzalez and his business, that will always be about carving his own path.
Yellow Crayons is open Monday through Friday, 10:30 a.m. to 5 p.m., and Saturday 10:30 to 2 p.m.

(Photo: Paco Gonzalez, owner of Yellow Crayons, believes in providing good service to small businesses. Photo courtesy of Paco Gonazalez)

This week we explore some of the great places to eat on Skibo Road. There is definitely something for every taste bud.

METRO DINER
2132 SKIBO RD.
Mon-Sun 8 a.m.-8 p.m.
910-493-3560
https://tinyurl.com/42s5fhy2
Metro Diner, a beloved local restaurant chain, serves hearty American comfort food for breakfast and lunch. Its traditional favorites are served in a cozy, welcoming environment.

SMOKEY BONES
1891 SKIBO RD.
Mon-Sun 11 a.m.-Midnight
910-864-1068
https://tinyurl.com/4d5empu8
As experts in genuine grilled and in-house smoked meats, Smokey Bones excels at offering meat enthusiasts and culinary explorers an extensive selection of bold, flame-crafted specialties and favorites with skill and knowledge that deliver pure dining satisfaction.

BAD DADDY'S BURGER BAR
1800 SKIBO RD.
Mon-Sun 11 a.m.-10 p.m.
910-867-4915
https://tinyurl.com/5cps2jvs
Craving a burger with personality? Bad Daddy's Burger Bar delivers exactly that. Featuring a selection of expertly crafted burgers, fresh oversized salads, their signature Bad Ass Margarita, and an impressive array of regional craft beers, this place hits the mark.

EL CAZADOR MEXICAN RESTAURANT
1904 SKIBO RD.
Mon-Thurs 11 a.m.-10 p.m.
Fri & Sat 11 a.m.-11 p.m.
Sun 11 a.m.-9:30 p.m.
910-864-0700
https://elcazadormex.com/
El Cazador takes immense pride in sourcing the freshest, locally grown vegetables for its authentic Mexican dishes. Its commitment to using high-quality, seasonal produce from nearby farms ensures that every meal bursts with vibrant flavors and genuine Mexican taste.

HABIT BURGER & GRILL
2050 SKIBO RD., SUITE 100
Mon-Sun 10:30 a.m.-9 p.m.
910-500-6730
https://tinyurl.com/35majcbe
Juicy charbroiled burgers crafted from 100% freshly ground premium beef are the highlight here. The menu also features customizable signature sandwiches, crisp garden salads, and delectable frozen dessert treats.

 MISSION BBQ
1932 SKIBO RD.
Mon-Sat 11 a.m.-9 p.m.
Sun 11:30 a.m.-8 p.m.
910-491-9500
https://tinyurl.com/4fnxf6py
A welcoming, family-friendly restaurant specializing in smoky BBQ dishes and traditional comfort sides. The interior showcases a heartfelt collection of memorabilia paying tribute to military personnel and emergency service workers.

LOGAN'S ROADHOUSE
1490 SKIBO RD.
Mon-Sun 11 a.m.-10 p.m.
901-864-5176
https://tinyurl.com/3zxmrnrk
A casual dining restaurant serving classic American comfort food, including burgers and ribs, alongside creative cocktail selections.

GANGNAM KOREAN BBQ & HOTPOT
1800 SKIBO RD.
Mon-Thurs 11 a.m.-10 p.m.
Fri & Sat 11 a.m.-10:30 p.m.
Sun 12 p.m.-10:30 p.m.
910-758-8010
https://gangnambbqhotpot.com/
Korean BBQ with the grill fired up right at your table with all your favorites. Hot Pot allows you to choose your broth, meat and veggies and completely customize your meal. Also available are sushi and drinks like soju, Korean rice wine and bubble tea.

NOODLES AND COMPANY
1926 SKIBO DR.
Mon-Sun 10:30 a.m.-10 p.m.
910-867-7552
https://tinyurl.com/4zdjpysb
Savor diverse global noodle and pasta specialties, from creamy American mac 'n cheese to authentic Thai stir-fried Pad Thai noodles.

JAPAN EXPRESS
2132 SKIBO RD. #112
Wed & Thurs 11 a.m.-10 p.m.
Fri & Sat 11 a.m.-11 p.m.
Sun 10:30 a.m.-10 p.m.
http://japanexpressfayetteville.com/
Presents an extensive selection of genuine Japanese cuisine, featuring classic dishes like Chicken Teriyaki, Hibachi Steak, Tempura Shrimp, and traditional favorites such as Miso Soup and Buffalo Wings.

OLEA MEDITERRANEAN KITCHEN
1992 SKIBO RD.
Mon-Thurs 11 a.m.-9 p.m.
Fri & Sat 11 a.m.-10 p.m.
Sun 11 a.m.-4 p.m.
910-745-8415
https://oleamediterranean.com/
A vibrant Greek-Mediterranean eatery delivering quick, casual dining with wholesome choices, featuring signature house made spreads and dressings. Enjoy customizable meals through our convenient build-your-own service format.

OLD CHICAGO PIZZA & TAPROOM
2140 SKIBO RD.
Mon-Sun 11 a.m.-1 a.m.
910-764-0805
https://tinyurl.com/5n8zjc2h
A welcoming, family-oriented dining establishment offering authentic Italian dishes, freshly-baked pizzas, and an extensive selection of domestic and imported beers.

MCALISTER'S DELI
1940 SKIBO RD.
Mon-Thurs 10 a.m.-9 p.m.
Fri & Sat 10 a.m.-10 p.m.
Sun 10 a.m.-9 p.m.
910-354-1030
https://tinyurl.com/2fz9dfyh
Enjoy their signature handmade sandwiches, crisp garden salads, loaded baked potatoes, and refreshingly delicious Famous Sweet Tea.

MIYABI JAPANESE STEAK & SEAFOOD HOUSE
1990 SKIBO RD.
Mon-Thurs 4:30 p.m.-8:30 p.m.
Fri & Sat 4 p.m.-9 p.m.
Sun 3 p.m.-8 p.m.
910-864-5987
https://www.facebook.com/miyabifay/
Generous servings of expertly prepared hibachi dishes, fresh sushi rolls, and authentic Japanese cuisine, complemented by a diverse selection of sake and beer.

TANDOORI BITES
1916 SKIBO RD., Unit A1
Mon.. 11 a.m.-2:30 p.m. & 5 p.m.-10 p.m.
Wed-Fri 11 a.m.-2:30 p.m. & 5 p.m.-10 p.m.
Sat & Sun 11 a.m.-3 p.m. & 5 p.m.-10 p.m.
910-339-2222
https://tandooribites.net/fayetteville/
Premium, top-grade ingredients to prepare authentic and flavorful Indian specialties. Every meal is prepared with precision and meticulous attention. Whether you desire a quick midday meal or relaxed evening dining, this venue offers the ideal setting for genuine Indian food enthusiasts.

MOD PIZZA
1950 SKIBO RD.
Mon-Sun 10:30 a.m.-10 p.m.
910-354-2607
https://tinyurl.com/3k6t8nue
Visit for a personalized gourmet pizza or salad at any mealtime. Select your toppings from an array of 30+ fresh ingredients. A custom-created pizza is ready in a flash.

MISERY IS ALIVE, MISERY IS ALIVE! OH, This whole house is going to be full of romance, OOOH, I AM GOING TO PUT ON MY LIBERACE RECORDS!

The Gilbert Theater is back with its third show of the season, Misery. Shows run from Jan. 31 to Feb. 16, every Friday and Saturday at 8 p.m. and Sundays at 2 p.m. In celebration of Valentine's Day, early birds are able to grab a special “Misery Loves Company” Valentine's Day package. General admission tickets are still available and can be purchased online at https://ci.ovationtix.com/36002/production/1206175 or the box office.
Originally a book by Stephen King, Misery features a robust deep dive into the main character, Annie. It was truly made famous, infamous, and cemented as a cult classic when its film adaptation was released in 1990. It was directed by Rob Reiner, with King and William Goldman at the helm as writers.
Misery is a tale of obsession, fandom and love. When Annie discovers her favorite author, Paul, clinging for life after a car accident, she decides to take him back to her home to care for him in the deepest and best way she knows possible.
This is a psychological thriller that keeps audiences on the edge of their seats from beginning to end. The cast has been working hard to bring Goldman’s play adaptation of the film to life on the stage. Familiar Gilbert veterans Deannah Robinson, Claudia Warga-Dean, James Merkle and Kim Butsch will be featured. Directing the ensemble is Robyne Parrish.
Parrish is a seasoned stage thespian and current New York Resident.
“I've been doing theater for forty years, since I was five years old. I'm the former artistic director at the Gilbert from 2012 to 2017. I was here for five years, then I went back to New York, and I've come back almost every year since I've been gone to direct a show. This year it's Misery,” Parrish said.
As a fan of not only the book but also the film featuring the highly talented Kathy Bates and James Caan, Parrish cites the stage adaptation's similarities to the film.
“I would say it's got the bones of the novel, but it's structurally like the film,” she said.
Playing Annie is Deannah Robinson, a long-time Gilbert volunteer, supporter, and stage regular.
“I come here and I either volunteer or I'm performing or I'm helping out backstage. I've been performing, I would say going on 14 years. My first show was A Streetcar Named Desire and I've just been a Gilbert staple ever since then,” she said.
Robinson is a transcriptionist by day and will transform into the manic and passionate Annie. The character is a far cry from her personality, something she looks forward to at this stage in her career, saying, “I think she's very complex. There's a lot to her. And even with what I know about the movie, there's still some stuff I would like to know. You know, I want to dig a little deeper into what her life was like as a kid and, you know, beyond her past as a nurse. I've gotten to that point in acting where I would definitely like to delve into the lives of the characters that I play. It makes it a little easier to really get into the groove of performing,” Robinson said.
Robinson has leaned into this role and truly embraced the energy of Annie.
“[I like] the parts where she's kind of abusive to Paul. I also like the parts where she's very lovey, even though it's very unrequited,” Robinson said.
Robinson leans into the “what if” of the story.
“What if you had the opportunity to have your favorite most beloved celebrity in your home recovering from either a car accident or breaking bones, what would you do? Especially if you're able to take care of them, but at the same time, you're like, ‘oh my God, oh my God, what do I do? I want to show all of my love to them but I don't want to be too overbearing, but at the same time, oh my God, they're in my house and this is crazy.’”
Playing the captive creative Paul is James Merkle, another seasoned thespian and voice-over actor.
“I have been doing theater for probably 35 years. [I] grew up in Germany and was a military brat so [I] came here. I've done theater over there, here, up in Raleigh, and, of course, some films here and there and some voiceover work as well. The first show that I did here was with Lynn in Christmas Carol. One of his Christmas Carol productions,” Merkle said.
Paul has provided Merkle with an opportunity to spread his acting wings and range.
“This character in particular has a lot of things that people can relate to in terms of there's so much going on. I think he's also a very challenging character to portray. I was also drawn to the physicality that is required of this role. Because a lot of my other roles that I have done have not been as physical as this show has been and that's something that I was up for. I wanted that kind of challenge,” Merkle said.
Claudia Warga-Dean is stepping into the role of Sheriff Buster, elevating the role with her background in theater and time on stage and backstage.
“I taught theater arts for nine years. I'm currently a human resources manager and hopefully soon maybe a college administrator of some sort. I've been at the Gilbert since I was 17. My first production was actually in Lynn's backyard and it was the Merchant of Venice. And I've been here ever since and I’m happy to step back in,” Dean said.
She wasn’t deterred from auditioning for the character and has taken the role head-on.
“[Something that] rings true is that there are a lot of tactics that you can play, a lot of ways you can take the characters, a lot of different choices to make, a lot of subtexts. Maybe I know something, but I don't want to give it away. How do I play that? How do I evolve that? Finding my own arc within this? That really draws me. I love stuff like that. It's been fun to have an atmosphere where you're allowed to play and try off-the-wall things,” she said.
Although the role of Sheriff Buster was originally written for a man, Dean’s unique take and grasp of the character made her the perfect choice.
“I think it's important to mention that this is a male-identifying character. But we just thought Claudia was the best choice for what we were looking for. It was not ever in our minds like, that we wanted a female,” Parrish said of Dean’s take on the role.
Rounding out the cast as the announcer and Buster/Annie's understudy is the equally talented Kim Bustch.
“I've been involved in theater for about 44 years. [My] first show was in sixth grade and then I studied theater in college. I did not complete my degree. I got married, had children, and then got involved in church productions, little things like that. And then once they were old enough to self-sustain, I got involved in the Gilbert. Secret Garden was my first show here. And then I’ve been involved in summer plays, summer festivals, a few other shows. COVID hit and I just didn't have time for a while. And now I'm back. I'm excited to be back,” Bustch said.
As the understudy for two roles, her work is double, something that made her nervous but has also allowed her to play with her acting range and stretch her imagination with the characters.
“Just to be able to [play both of these characters] because each of them is such a faceted character. It's [great] to see them put their spin on it. It’s cool and then I'm thinking as the understudy, do I go up and mimic? As long as the character comes across [authentic]. She (Annie) could be serious [and he] has her laughing but then she's like cut and dry. I just think that's fascinating.”
The cast and crew have taken great care to make this small production powerful, the perfect date night for lovers of psychological thrillers and community theater. For more info, call 910-678-7186.

(Top photo: James Merkle plays the roll of Paul, an author who is held captive by Annie. Bottom photo: Deannah Robinson plays Annie, a character obsessed with Paul, and who goes to great lengths to attempt to nurse him back to health. Photos courtesy of Gilbert Theater)

Formerly known as the Bordeaux Dinner Theatre, the Fayetteville Dinner Theatre has been revitalized by Bill Bowman, newspaper publisher of Up & Coming Weekly. This resurgence was hailed as 'Fayetteville’s newest and most unique theater experience.'
Gates Four Country Club, located at 6775 Irongate Drive, is the home of the Fayetteville Dinner Theatre, and boasts exceptional amenities. These include a first-class restaurant, casual dining at JP’s Bar and Grill, two new USTA tennis courts, and a beautiful 3,600 square-foot outdoor pavilion that seats 250.
Residents and guests can also enjoy a 10-acre Rockfish Park and fitness trails, a spacious picnic area, and an Olympic-size swimming pool, making it the perfect venue for hosting the Fayetteville Dinner Theatre.
FDT offers much more than just great theater performed by talented professional actors. It promises an evening of comprehensive entertainment complete with a Welcome Reception, full-service bar, three-course plated-entree dinner, preshow entertainment and door prizes.
The 5th Annual Gates Four Summer Concert Series is a highlight for the Fayetteville Dinner Theatre. This year, the series features four amazing fun-filled music concerts that bring live entertainment to the Pavilion.
Concert highlights include a Tribute to Local Bands on May 24; Beggars Banquet, a Rolling Stones Tribute band on July 12; and an all-girl AC/DC tribute band, Shoot to Thrill, on August 8.
The Fayetteville Dinner Theatre is thrilled to partner with the Fayetteville Symphony Orchestra for a special event on June 28. This collaboration brings together two of Fayetteville's premier cultural institutions, offering a unique blend of dining and musical entertainment.
At the Fayetteville Symphony Orchestra Jam you will immerse yourself in a unique twist on a classic game with Music Bingo. Unlike traditional bingo, where numbers are called out, the Fayetteville Symphony Orchestra's string quartet will play 30-second snippets of various songs. Your task is to recognize the tunes and mark them on your bingo card.
This innovative approach not only tests your musical knowledge but also adds an exciting and interactive element to the evening. It's a delightful way for music lovers of all ages to engage with the performance while enjoying a bit of friendly competition.
Following the excitement of Music Bingo, the string quartet will perform a selection of pop music. The Fayetteville Symphony Orchestra brings their exceptional talent to the stage. Known for their captivating performances, the orchestra promises an event filled with beautiful melodies and rich harmonies.
Whether attendees are long-time fans or new to their music, this night is designed to leave a lasting impression. The blend of classical and contemporary pieces ensures there's something for everyone to enjoy, making it a memorable experience.
Proceeds from FDT events are donated to Cumberland County education through the Kidsville News! Literacy and Education Foundation (501c3). This foundation provides reading and educational resources for local children, teachers, and parents.
By attending an FDT performance, guests are not only enjoying a night of entertainment but also contributing to the betterment of their community. For more information on up-and-coming events including the 5th Annual Gates Four Summer Concert Series visit the Fayetteville Dinner Theatre website: https://fayettevilledinnertheatre.com/

Fayetteville, like many cities and towns across the country, is home to a military installation, its soldiers, and families.
Fort Liberty (formerly Fort Bragg) is the largest military post based on population and size. Among the thousands of individuals stationed here, some bring their military know-how, passions, talents and creativity.
One of those individuals is Lt. Col. Lynette Jones, filmmaker. A Los Angeles native, Jones started her military journey in the ’90s, touring Iraq, Kuwait, and Afghanistan. In 2014, Jones decided to take her filmmaking seriously and started creating projects.
Her latest film, Letting Go, will be making its grand premier right here in Fayetteville on Saturday, March 1 at Seabrook Auditorium on the campus of Fayetteville State University.
Doors open at 6 p.m., with red carpet photos, a sparkling cider toast and light hors d’oeuvres. The attire is formal, and guests are encouraged to dress to impress for the red carpet walk. Filmmaking has played a big part in Jones’ life.
“I’ve always been drawn to storytelling, it’s a way to connect with others and explore the richness of life. I’m fascinated by the human condition, by the emotions, struggles, and triumphs that make us who we are. Through film, I can delve into those experiences, shine a light on them, and share narratives that resonate on a deep, personal level. It’s an art form that allows me to express myself while also creating something meaningful for others," she said.
Jones has been able to balance life as an active-duty officer and filmmaker.
"Balancing active duty and creating a short film has been an exciting journey. It’s taught me how to be very intentional with my time. While being in the military is demanding, I don’t work 24 hours a day, and I usually have weekends off.
"That downtime has become my creative window, allowing me to focus on planning and building my film projects. It’s been rewarding to see how much I can accomplish by making the most of those moments, and it’s a reminder that pursuing your passion is always possible, no matter what the circumstances,” she said.
Letting Go has been a passion project and the accumulation of years for Jones.
“My latest project, Letting Go, is a deeply personal love story that explores the beauty of true love in the midst of pain. It’s a story about connection, resilience, and the difficult choices we sometimes face when we care deeply for someone else.
"The inspiration came from reflecting on how love can flourish even in the hardest moments of life, and I wanted to create something that could resonate with people on a heartfelt level.
"The film was shot over the course of three intense days, which required a lot of careful planning and precise execution to make the most of our time. Having a talented and dedicated team was absolutely key to our success, they brought incredible energy and creativity to the set,” Jones said.
She was hands-on with every part of the filmmaking process, down to casting.
“As for the actors, I was very deliberate in my selection process. I wanted individuals who could bring authenticity and depth to the characters. It wasn’t just about talent but also their ability to connect with the story and embody its emotional core. Seeing everything together was truly rewarding."
Jones isn’t letting her foot off the pedal anytime soon. She recently submitted her film to the Academy of Motion Picture Arts and Sciences for consideration.
Jones takes great pride in this, saying, “Submitting my work to the Academy was both thrilling and humbling.
"It was a long shot, but I genuinely felt my film was good enough to be in the running. While it wasn’t selected, I see it as just one step in a much larger journey. There are so many talented filmmakers out there, and being part of that community is inspiring. I believe in aiming high, and this experience has only fueled my determination to keep growing and creating. Every step, whether big or small, brings me closer to my goals."
Her next project is already in the works.
“My next project is about a group of friends who are blues singers. The movie delves into how good people can get caught up in the world of drugs. It’s a story about life’s challenges and how circumstances often push us to take a deeper look at ourselves.
"Ultimately, it’s a spiritual journey that navigates through pain, bad decisions, and the path to transformation. I’m really excited about this project because it’s raw, and emotional, and carries a message of hope and redemption. It’s still in the early stages, but I can’t wait to bring this story to life,” she said.
Jones is excited about what the future has for her as a filmmaker and appreciates those who have supported her along the way.
“I would like to thank Irene Mink, my second mom. She has been on this journey with me since the beginning and I thank God for her. I would also like to thank my church family from Country Club Christ of Christ. They have been supportive since I came to Fayetteville in 2017.Thank you.”
For tickets to the event, visit jonesygirlproductions.com.

(Image courtesy of Lynette Jones)

Special Event Showtimes:
• Saturday, Feb. 8: 8 p.m.
• Wednesday, Feb. 12: 7:30 p.m.
Silents Synced is back! Following the success of last year’s Nosferatu paired with Radiohead, this year’s event combines Buster Keaton’s iconic silent film Sherlock Jr. with a modern soundtrack featuring R.E.M.’s Monster and New Adventures in Hi-Fi.
This groundbreaking series reimagines silent classics with soundtracks from legendary artists like Radiohead, R.E.M., Pearl Jam, and The Pixies. Created by Blue Starlite Drive-in and distributed by CineLife Entertainment, Silents Synced delivers a unique fusion of film and music that offers audiences a fresh reason to head out to the movies.
“Silents Synced has paired Buster Keaton’s Sherlock Jr. with a soundtrack by R.E.M., breathing new life into one of the greatest classic silent films of all time and uniting two art forms,” says James Throssel of the Cameo Art House Theatre. “I hope this pairing makes it more accessible to new and younger audiences who might not typically find themselves enthralled by the idea of a silent film. Whether you’re a film buff, a music enthusiast, or both, nothing brings me more joy than using the Cameo screen to introduce people to the magic of cinema. You can’t get much more magical than a master like Buster Keaton, whose creativity and visual storytelling laid the foundation for modern filmmaking and continues to inspire today.”
Buster Keaton was one of the most iconic figures of silent cinema and remains a towering influence in the world of comedy and film. Known as "The Great Stone Face," Keaton's hallmark was his deadpan expression, even in the face of the most absurd or dangerous situations.
Keaton began his film career in 1917 alongside Roscoe "Fatty" Arbuckle, creating a series of successful comedies before branching out on his own. Known for his technical ingenuity and fearless approach, Keaton performed his own elaborate stunts, often at great personal risk, and became a master of groundbreaking special effects. His most iconic works include The General (1926), a Civil War epic combining action, comedy, and romance; Sherlock Jr. (1924), a surreal comedy about a projectionist who dreams himself into a movie; Steamboat Bill, Jr. (1928), featuring his famous falling building stunt; and Seven Chances (1925), a hilarious tale of a man pursued by hundreds of brides.
However, the advent of sound cinema in the late 1920s brought challenges, as signing with MGM in 1928 limited his creative freedom, and his later works lacked the inventiveness of his silent films.
Struggles with alcoholism and personal troubles further contributed to a career decline during the 1930s and 1940s. Still, by the 1950s, Keaton’s career came back to life on television in commercials and the film Sunset Boulevard (1950). His contributions to cinema were recognized with an honorary Oscar in 1959 and a star on the Hollywood Walk of Fame.
A Full-Circle Moment for the Cameo
The Cameo Art House Theatre, founded in 2000, is the perfect venue for this unique event. The building, originally opened in 1914 as The New Dixie, was Fayetteville’s very first movie theater, showcasing silent films during cinema’s golden age.
Over the decades, it transformed into a pool hall and then a record store before being gutted and lovingly restored as the Cameo.
An Invitation to Celebrate the Cameo’s History
Do you have old photos of the Cameo building from its days as The New Dixie, Dixie Billiards or Eddie’s Music Store? Share your photos and stories with them by emailing nasim@cameoarthouse.com
Why Silents Synced?
Silents Synced exemplifies the creativity, DIY ethos and commitment to cinema as an art form. Music fans will go to great lengths for shared experiences. With essential artists like R.E.M., we aim to inspire people to gather in cinemas and invigorate independent theaters with engaging and unique events.
Tickets are on sale now at the Cameo Art House Theatre box office or their website at https://www.cameoarthouse.com/ or call 910-486-6633.

(Image courtesy of Cameo Art House Theatre)

The Women's Business Center of Fayetteville at the NC Center for Economic Empowerment and Development will be holding their annual HERFayetteville week during the first week of March.
HERFayetteville is a week to celebrate the empowerment of women through mentorship, education, networking and collaboration. HERFayetteville coincides with International Women's Day and Women's History Month.
During this week, the HERPitch competition will take place. This exciting event encourages women entrepreneurs from around the area to pitch their business ideas to community leaders. The best pitch will be awarded up to $10,000 to help fund their small business.
In preparation for the competition, the WBC is holding a series of Pitch Training classes throughout the month of February for those wishing to enter.
The first training will be held Feb. 6 from 6 p.m. to 8 p.m. or Feb. 10 from 6 p.m. to 7:30 p.m. The class is virtual and free, but registration for the event is required. Register at https://bit.ly/3WyCrBA
Registrants will learn the fundamentals of how to pitch their business, the slides required for the upcoming Pitch event, and insider tips on what to expect from the HERPitch Competition.
The business must be woman owned or offer a product or service specifically for women. Businesses from Cumberland, Hoke, Harnett, Lee, Moore, Bladen, Robeson, Sampson, Brunswick, Richmond and Scotland counties are all eligible to enter.
A follow up "Pitch 2" will take place on Feb. 15 from 10 a.m. to 11:30 a.m., or Feb. 20 from 6 p.m. to 8 p.m. This second training will be focused on practicing pitches, receiving personalized feedback, and refining the pitch for the competition.
Danice Langdon will be the instructor for both pitch training events. As the director of the Women's Business Center of CEED, she helps local small business owners realize their full potential. She was published in the International Review of Modern Sociology in the Autumn of 2013, and has an MA in Sociology from Fayetteville State University.
The WBC of CEED is located in downtown Fayetteville, and it is designed to help socially and economically disadvantaged women start or expand small businesses.
For more information regarding WBC, visit https://www.wbcfay.org/

In an innovative effort to bridge health education and community engagement, the Cumberland County Department of Public Health launched the Healthy Conversations program, enlisting local barbers and stylists as advocates for promoting preventive health behaviors. With $134,601 in funding approved by the Cumberland County Board of Commissioners for the 2023-24 fiscal year, this initiative has already had significant impact in its pilot year.
"Barbers and stylists are trusted community leaders who can have brief, meaningful conversations with their clients about critical health topics," said Tamra Morris, MPH, Deputy Health Director of the Cumberland County Health Department.
A Trusted Chair for Health Advocacy
Barbershops and salons have long served as hubs of community interaction, particularly in neighborhoods disproportionately affected by poor health outcomes. Recognizing this, Healthy Conversations trains barbers and stylists to discuss heart health, cancer prevention, and the importance of routine screenings. Participating barbershops include:
• McNeill's Barbershop and Beauty Salon
• Cumberland Awesome Barbershop
• Tru Blendz Barbershop
• Red Carpet Barbershop and Salon
• MM Grooming
• Kut-N-Kalypso, Inc.
Morris emphasized the unique role of barbers, noting, "Barbers in the Healthy Conversations program have become lay leaders and expanded community health advocacy in Cumberland. They can share information on risk factors, symptoms, and how to connect with healthcare providers in a relatable and trusted way."
Breaking Barriers Through Familiar Spaces
The program addresses common barriers to healthcare, including stigma and lack of awareness. By leveraging the casual and comfortable setting of a barbershop chair, conversations about health feel less intimidating.
"There are no expectations set in these discussions," Morris explained. "Clients can simply listen to what the barber shares. The barbers use easy-to-understand, accurate, and actionable information, often aided by educational materials and visual models."
Such approachable methods have led to tangible results, including clients scheduling preventive care appointments and discussing health with their families.”
Measurable Impact
The program's pilot year saw impressive results:
• Ten trained barbers facilitated over 2,000 health-related conversations.
• Prostate Cancer Awareness Month featured a panel discussion that highlighted the program's unique approach. This innovative method of using barbershops as platforms for health education is a refreshing take on community health initiatives. Campaigns such as Go Red for Heart Health and a Colorectal Awareness Month initiative encouraged clients to embrace wellness.
"Healthy Conversations was very successful in its first year," said Morris. "As we move into year two, we are expanding to train 20 barbers and anticipate an even greater impact on the health of the Cumberland community."
The Road Ahead
Building on its early successes, the program aims to broaden its reach and deepen its impact. Morris expressed gratitude for Commissioner Glenn Adams, whose advocacy has been instrumental in the program's success.
"This initiative allows for real connections and reliable linkage to care for clients in our local barber chairs," she said.
As the program gears up for 2025, the community looks forward to more barber-led advocacy efforts that promote preventive care and foster healthier lives in Cumberland County.
For more information about the Healthy Conversations program, contact Carlotta Winston, Public Health Educator II, at cwinston@cumberlandcountync.gov or 910-321-6440.
About Cumberland County Department of Public Health
Dedicated to enhancing the quality of life, the Cumberland County Department of Public Health offers comprehensive services to address the community's needs. Visit cumberlandcountync.gov/publichealth or call 910-433-3600 for details.

Cumberland County is one of 14 community teams selected to participate in the University of North Carolina at Chapel Hill’s Our State, Our Homes program, an initiative of the Carolina Across 100 program. Announced Wednesday, Jan. 22, the program aims to help improve access to and availability of affordable housing options in the state.
Cumberland County joins 22 counties grouped into teams with other localities to collaborate on addressing affordable housing challenges. Team 10 includes Cumberland, Harnett and Sampson counties.
The program brings together a diverse group of local stakeholders —including business leaders, civic organizations, education institutions, nonprofit and faith-based groups, and government officials—providing the necessary tools and resources to assess local housing needs and create sustainable, community-driven solutions.
“The Our State, Our Homes program presents an invaluable opportunity for Cumberland County to engage with our regional partners and learn from statewide housing experts,” said Interim Community Development Director Tye Vaught. “The rising challenges of affordable housing affect us all, and we are committed to developing innovative strategies that improve access to housing for our residents and ensure long-term economic growth and stability in our community.”
The program’s launch comes at a critical time as nearly one-third of households in North Carolina are considered “cost-burdened,” meaning they spend over 30% of their income on housing. This issue not only limits families’ economic mobility but also hinders the ability of communities to attract and retain employers and workers, further impacting local economies and public health.
The selected counties represent urban, suburban and rural areas across the state facing a myriad of housing challenges including population growth, aging housing infrastructure, environmental hazards and rising construction costs. Over the next 18 months, participating communities will gain a comprehensive, data-driven understanding of local housing issues and develop high-impact solutions that are tailored to their unique needs.
The program also provides participating counties with ongoing coaching, technical assistance, and the chance to engage with a network of peers, national experts and state leaders to strengthen their affordable housing strategies.
Our State, Our Homes is part of the broader Carolina Across 100 initiative, which seeks to build sustainable, community-driven recovery efforts in all 100 North Carolina counties. The initiative is supported by the University of North Carolina School of Government’s Development Finance Initiative and is funded by the Office of the Chancellor and private foundations. For more information, visit ncimpact.org.

Have you ever wondered what Bitcoin is? Where it came from? Where it is going? Is it too late to buy some before it collapses? You have come to the right place. The Brothers Grimm explained it all in their story “The Donkey Cabbage.” No need to pay a broker to obtain Bitcoins. All you need is a Magic Wishing Cloak and willingness to swallow the heart of a bird. Intrigued on how to get rich quickly? Keep reading.
Once upon a time a young man went out into the forest to go hunting. He came across an old woman who was weak and hungry. She asked for spare change which he gave her. In return, she told him to look for a tree with nine birds fussing over a cloak. She said: “Shoot into the middle of the birds. They will drop the cloak and one will fall dead. Cut the bird open and eat its heart. Make a wish and the cloak will take you anywhere. The bird’s heart will create a gold coin under your pillow each night.” The Hunter did so, getting the cloak and a growing pile of gold. (Author’s note: This is where Bitcoin comes from- magic money from a dead bird’s heart.)
When the Hunter had a big pile of coins he decided to see the world. He came on a castle where he met a witch and her beautiful daughter. The witch knew about the heart of gold and wanted it. Naturally, the Hunter became besotted, falling in love with her daughter. The witch made a potion and forced her daughter to get the Hunter to drink it. After drinking it, he became sick, vomited out the bird’s heart, and passed out. The girl washed off the heart and ate it.
Getting daily gold Bitcoins wasn’t enough for the witch. She wanted the Wishing Cloak too. She made her daughter pretend sadness. The Hunter asked her what was wrong. She told him she wished for the jewels on Mount Garnet but it was too far away to get them. The Hunter wrapped both of them in the Wishing Cloak and away they went to Mount Garnet. Unfortunately, the witch put a spell on the Hunter causing him to fall asleep on the mountain. Daughter gathered up a passel of jewels, wrapped herself in the cloak, and wished herself back to the castle. The Hunter woke up alone. He realized he had been betrayed by a woman. This was the only known time a man has ever been fooled by a female.
The Hunter climbed to the top of the mountain. He rode a cloud back to a garden near the castle. There were two kinds of cabbage in the garden, pointy and round. He ate the pointy cabbage and turned into a donkey. He then ate the round cabbage and turned back into himself. He took both cabbages with him and went to the castle. He told the witch the pointy cabbage was delicious. The witch and daughter ate it. Both turned into donkeys. Happy with his revenge, the Hunter gave the donkeys to a miller, conditioned on the miller beating the old donkey 3 times a day and never beating the younger donkey.
The Miller did as he was told. The Hunter went to live in the castle. Eventually, the miller came to the castle with the younger donkey. The old donkey had died and the young donkey wouldn’t work. The Hunter took back the younger donkey and gave her the round cabbage. She turned back into the beautiful girl. She apologized for tricking the Hunter, explaining her Mom made her do it. The Hunter, being still in love with her, forgave her. Men are dolts. She offered to take a magic potion to vomit up the bird heart so the Hunter could eat it to get the Bitcoins for himself. He refused because he wanted to marry her. Once wed, all the coins would be marital property anyway. They got married shortly afterward and lived very happily until they died.
Now you know where Bitcoins come from. A witch’s daughter near the Chinese Garnet Mountain swallowed a bird’s heart to produce the first Bitcoins. Bitcoin alleged “experts” tell a science fairy tale about Bitcoins coming from mining blockchains, whatever that is. Their explanation is hooey. The truth is, Bitcoins are magic. They are created in the Cloud due to herds of witches’ daughters ingesting bird hearts. Bitcoins will only crash if we run out of witches’ daughters. Feel free to invest. Past performance is no guarantee of future results.

Everyone seems to be very excited about what the New Year will bring. I sure am, especially if our elected officials follow their promises of cooperation and work together for a better, more secure, and prosperous America.
Over the last two decades, America's two-party political system has deteriorated practically beyond recognition. Gradually, our government's responsibilities and loyalties to the American people have shifted to the political parties at all levels, national and local.
We must get our government back on the right track of being responsive to the people at all government levels, not to themselves. This writer believes binary thinking has plagued and infected all levels of the political process.
For those unfamiliar with binary thinking, it's "black or white" thinking that involves categorizing ideas, people, and situations into two distinct opposite groups where compromise is absent. This thinking only acknowledges two non-compromising possibilities and seldom produces positive results, with no results in many cases.
It also dramatically increases the chances of misjudging a person's true character.
As an example of binary thinking, sometimes, we use a single issue or trait of a person to write that person off. Perfect examples are "all Republicans are evil right-wing fanatics," or "all Democrats are progressive left-wing extremists."
This is not the case. People and issues are sometimes highly complex, and we need to take the time to listen, understand, and respect their perspectives. This is the opposite of binary thinking. People are different, and they have different views and insights.
As Americans, we should be more tolerant and respectful and never end up hating someone just because they don't think like we do. Just because we may feel someone's views on a particular issue or subject are terrible doesn't mean that person is terrible. All of us have different ideologies.
Just because your ideology doesn't mirror someone else's doesn't mean that person is not worthy of your friendship and respect. We must get away from this "all or nothing" mindset to benefit from all citizens' ideas, innovations, and knowledge.
Historically, this kind of "binary thinking" has plagued the City of Fayetteville and Cumberland County over the past five decades, hindering growth and prosperity, fostering poor (and sometimes corrupt) leadership, and keeping the entire Fayetteville/Cumberland County community from reaching its full potential.
Fayetteville and Cumberland County need more "critical thinking." Both have significant challenges that can be dealt with swiftly and effectively if the two governing bodies collaborate harmoniously, sharing ideas, solutions, and resources that serve and benefit all citizens.
An added benefit from this positive and cooperative relationship would be it would radiate out to all citizens. Fayetteville is a great place to live, work, and raise a family.
However, I have heard people say, "Fayetteville is its own worst enemy" way too many times. I believe that is caused primarily by two things: One: Binary thinking. We must be more tolerant and respectful of other people's views and opinions and not judge their worth on one issue or viewpoint.
Two: Fayetteville and Cumberland County do an abysmal job telling their story. We do not promote our community, local amenities, achievements, or accomplishments, nor do we celebrate our quality of life. As a result, we let others set our narrative with only negative news reaching the ears of residents and visitors. Up & Coming Weekly has been working to combat this, but we cannot do it alone.
Let this be the year our City of Fayetteville and Cumberland County elected officials and staff exert effort to stifle binary thinking and work together to face this growing community's challenges.
We are off to a great start.
Thank you for reading Up & Coming Weekly, Fayetteville and Cumberland County's community newspaper.

As celebrations gear up across Cumberland County for Black History Month, the Arts Council opens The Seed and The Sower on Jan. 24. The exhibit centers on strength and generational connection through works by Black female artists.
The Seed and The Sower was an idea that came to curator Teresa Bone through her connection to her own ancestry. After the passing of her paternal grandmother, Bone found herself considering which of her own traits came from the woman she knew as a young girl.
Bone started her art journey in her youth, so processing bigger questions about lineage and life came more easily through art.
“In the last several years, my work as an artist and as a curator isn’t just about things being pretty (though I’d still like to think what I produce is nice to look at),” remarked Bone about the exhibit. “The heart of my work now is about narratives. It’s about stories. What is the message that I am trying to convey?”
Despite the personal origins of the show, Bone wants viewers to feel connected to the work and each other.
“This show is focused on familial narratives, but in a larger view, our lives have an effect on every person we meet,” said Bone. “Those who came before us (family, mentors, teachers, friends), left an impact on our lives, and we- in turn, will leave our own impact on others.”
Bone is excited to see how artists interpret this theme of interconnectedness and hopes the exhibit shows a broad spectrum of work. The exhibit reflects a national juried art call inviting 2D and 3D works from artists from across the US. The call particularly encouraged art from Black female artists, asking for a “multi-layered study of time, connections, and heritage as seen specifically through the lens of Black women’s eyes.”
According to a 2022 study done by the Burns Halperin Report, Black female artists represent 0.5% of collected holdings in the largest American art museums. The Arts Council hopes to address some of this disparity by supporting The Seed and The Sower. The opening reception on January 24 will further celebrate the role of Black female artists with performances from musicians and poets.
The performances are curated by the local nonprofit Book Black Women whose mission is to celebrate, amplify, and empower Black women in the arts and creative industries.
For curator Teresa Bone, the exhibit evokes a look at a generational timescale.
“This cycle never ends. ‘The Seed’ will always eventually become ‘the Sower’, and the descendent will one day be the ancestor. We should all be mindful of what we ‘sow.’”
The Seed and the Sower will be on display in the Arts Council’s gallery until Feb. 28 with a free Opening Reception on Jan. 24 from 6 p.m. to 8 p.m. For regular updates on the Arts Council, follow the organization @artscouncilfay on Facebook, Instagram, LinkedIn, and/or YouTube.

(Photo courtesy of Arts Council of Fayetteville/Cumberland county)