Arts

CFRT brings "Little Shop of Horrors" to life

14Cape Fear Regional Theatre is heading downtown, down to Skid Row. No, they aren’t moving to a new location-they are still holding court at 1707 Owen Drive as their home building on Hay Street is undergoing extensive renovations. They are taking us to Mushnik’s Flower Shop in the cult favorite musical, Little Shop of Horrors. From Oct. 23 through Nov. 16, make your way to the theatre to experience the thrilling tale of the alien, man-eating plant, and a love story that blooms in an unlikely place.
This production features a phenomenally talented cast of familiar faces and new friends. Deon Releford-Lee stars as Seymour Krelborn, the orphan whose love of strange plants gets him in some sticky situations. Releford-Lee got his start on the Cape Fear Regional stage in the 2014 production of Return to the Forbidden Planet. Since then, he has done theatre all over the world, including on Broadway as the understudy for Ike in Tina: The Tina Turner Musical. He says that “coming here [to CFRT] feels like a homecoming.”
Seymour has three significant relationships in the play: with the cranky yet lovable Mr. Mushnik; with his co-worker and not-so-secret crush, Audrey; and with the mysterious plant that appears after a “total eclipse of the sun” that he affectionately names Audrey II.
It is clear that Seymour has had a tough life; Mr. Mushnik found him in an orphanage and isn’t exactly the most ideal example of what a loving father should be. But, according to Marc de la Concha, CFRT’s Education Director and frequent stage presence, Mushnik clearly has a soft spot for both his employees, Audrey and Seymour. He has given Seymour a home and a purpose and a sense of what a family might be like.
Audrey (the human one) is more than just an object of Seymour’s fancy. He looks out for her; he wants her to be safe and happy. He has fallen in love with her, but is also inspired by her. In Audrey, Seymour sees what life could be beyond Skid Row. She is a shop assistant alongside Seymour, and Mr. Mushnik has a soft spot for her as well. Plagued by a string of bad relationships, Audrey finds herself attached to an abusive boyfriend, a dentist who loves nothing more than to inflict pain. The story of Seymour and Audrey’s blossoming love is the tender center point of an otherwise darkly hilarious tale.
Then there is Audrey II. Very different in every way from its namesake, Audrey II is the villain we all love to hate and hate to love. Traditionally, the plant is represented by puppets of varying sizes, indicating how it grows throughout the show; the final version is massive. CFRT’s iteration of Audrey II will be different from what has been seen in past productions on film and onstage. Director Mary Kate Burke didn’t give any more details so as not to ruin the surprise. But there is no doubt that the Audrey II we will encounter in this production will be hilariously manipulative, nasty, but oh-so-entertaining.
Another feature of CFRT’s production that audiences will love is the choreography by Tyce Diorio. Returning to CFRT for his fourth project, Diorio is as accomplished as he is talented. His stellar career kicked off by touring with Janet Jackson and appearing in several of her videos and projects. He has also worked as a dancer and choreographer with the likes of Taylor Swift and Brandon Urie. Burke states that she loves working with Tyce because he is “kind and discerning while being exacting at the same time. He could do other things, but he loves it here so much; he makes the time to come from LA to Fayetteville to tell really incredible stories.”
14aThe talented people are reason enough to make plans to see Little Shop of Horrors at CFRT, but the stage will do some heavy lifting in this show as well. Burke shares the space at 1707 Owen Drive is really well-suited for this show in particular. Having the whole audience so close to the stage provides a unique vantage point and will feel almost immersive. The proximity of the audience to the stage allows the director to incorporate some elements into Little Shop that will lend to its horror-movie aesthetic, not in a way that is truly scary, but in a way that intensifies its thrilling elements. No specific details are provided, as there will be lots of surprises in store. Even if you have seen Little Shop of Horrors recently, this production promises to be unique. To quote Burke, “it’s not your mama’s Little Shop!”
The timing of the production is intentional as well, with the show running right in the middle of the spooky season. While the show certainly has horror-movie elements — human-eating monster, a sadistic dentist, need we say more? — it is also full of funny moments, high-energy music, and campy nostalgia.
The theatre is offering a special discount for certain seats at this performance. The theatre’s temporary home in a former ballroom is arranged in a less traditional way, referred to as a thrust stage. In a thrust, the audience is arranged on three sides of the stage, instead of all on one side as is CFRT’s home stage. This arrangement provides great, unique perspectives of the action onstage. In an effort to help those who are less familiar with this arrangement appreciate its benefits, CFRT is offering those seats at a discount. Fear not, though; you are still guaranteed a great experience, whether you sit to the side or at the center of the audience.
As always, CFRT works to make theatre accessible to as many people as possible. The schedule includes Military and Educator Appreciation nights (Oct. 29 and Oct. 31, respectively), with a 25% discount for those who apply. Discounts are offered for military, educators, students, and seniors at every performance. Tickets can be purchased at cfrt.org or by calling the box office at 910-323-4233. Don’t wait, though; tickets for this show are selling fast!

(Top Photo: Emily Norah Samuelson plays Audrey in the upcoming Cape Fear Regional Theatre production of Little Shop of Horrors.
Bottom Photo: Jasmyne Simpkins, who plays the character Ronnette, practices during a table read for Little Shop of Horrors. Photos courtesy of Cape Fear Regional Theatre’s Facebook page)

Cameo Art House becomes non-profit CAMEO Collective

11For the past quarter-century, the Cameo Art House Theatre has been a cultural cornerstone in downtown Fayetteville. It has been a gathering place, an artistic haven and a cherished home for lovers of cinema. The Cameo will officially enter a new chapter in its celebrated history in January 2026, a nonprofit organization under a new name: CAMEO Collective.
This transformation not only ensures the preservation of the theater’s legacy but also lays the groundwork for a bold new vision. A vision that embraces live performances, arts education, community programming and inclusive access to the arts.
“The three founders didn’t just open the doors of the Cameo, they set a standard of excellence through their leadership and stewardship and kept it growing for 25 years,” said Brian Adam Kline, Artistic Director of the new CAMEO Collective. “The spirit of the Cameo is still very much alive and now it has room to grow in many creative directions.”
The Cameo’s Legacy: A 25-Year Love Letter to Fayetteville
Since its founding in 2000 by Chris and Nasim Kuenzel, with support from Eric Lindstrom, the Cameo Art House Theatre has provided something rare and irreplaceable in southeastern North Carolina: a space dedicated to independent and international cinema. In an age of megaplexes and blockbusters, the Cameo stood for stories that were quiet, bold, weird, human and always thoughtful.
Under the Kuenzels’ guardianship, the Cameo became more than just a movie house. It was a conversation space, a date night destination or a place where new generations watched the classics. Film festivals like Indigo Moon and Local Shorts found a natural home here and local filmmakers saw their work on the big screen..
From Art House to Art Hub
With the introduction of CAMEO Collective, the building at 225 Hay Street is evolving into something broader and more multifaceted: a nonprofit arts center with a mission to inspire through storytelling, performance and education.
“We’re building something Fayetteville has never quite had before, a true arts collective in the heart of downtown,” said Kline. “Film will always be our foundation along with community favorites like live music, comedy and now we’re thinking about immersive theater, live music, visual art and education all under one roof.”
A Partnership with the Capitol Encore Academy High School’s all new Department of Cinematic and Theatrical Arts has been established.
“This program will give students the opportunity for hands-on filmmaking classes in acting, directing, cinematography, editing and film theory. Students will have the opportunity to show their films on the big screen. We plan to offer Saturday classes for adults and summer camps in the future as well,” said Kline.
“When I was a teenager, I learned to edit on borrowed cameras from my school library and made movies in my backyard,” said Kline. “Imagine what today’s kids could do with access to gear, training and a screening venue like Cameo Collective.”
Cameo Collective will continue to host live performances including concerts, stand-up comedy, local theater productions and open mic nights.
Why Non-Profit?
For years, the Cameo operated as a private enterprise, supported almost entirely by ticket sales, concessions and the devotion of its patrons. But the shifting economics of independent cinema, especially post-pandemic, combined with the rising cost of operations led Kline to found Cameo Collective with seven founding board members including Jenny DeViere, Gerard Falls, Ashanti Bennett, Adrienne Trego, Ayana Washington, Michelle Downey and Angela Williams. James Throssel serves as Managing Director with Kline as AD.
“Becoming a nonprofit means we can dream bigger and serve wider,” said Kline. “It allows us to apply for grants, accept tax-deductible donations and focus on our mission.”
The Launch Fundraiser
To celebrate the Cameo Collective’s official launch, a special fundraiser event is in the works. The evening will provide themed entertainment, elegant refreshments, silent auction items and opportunities to become a founding donor.
The date and details will be announced soon. Tickets will be available online and at the box office.
How to Support
For those eager to help immediately, donations are already being accepted through multiple channels:
In Person: Speak to a staff member in the Cameo lobby at 225 Hay Street.
By Mail: Send checks payable to CAMEO Collective, 225 Hay Street, Fayetteville, NC 28301
Online: Visit www.cameoarthouse.com or email brian@cameoarthouse.com
Donors will receive special acknowledgments and updates and larger gifts may include recognition in the theater’s donor wall and promotional materials.
“Every small contribution helps big,” said Kline. “They help keep the lights on and the screen and events rolling. They help us say yes to ideas we couldn’t have considered before.”
The Road Ahead
As the curtain rises on this new phase, the message is clear: CAMEO Collective belongs to the community now more than ever. It is a gift from the past and a promise to the future.
“For a quarter-century, the Cameo has helped us see the world differently—through light and shadow, through laughter and tears,” said Kline. “Now, as CAMEO Collective, we’re inviting everyone to be part of the story.”
For updates on the Launch Fundraiser Event, programming, and volunteer opportunities, visit www.cameoarthouse.com or follow @cameoarthouse on social media.
About CAMEO Collective:
CAMEO Collective is a 501(c)(3) nonprofit organization based in downtown Fayetteville, NC. Its mission is to foster creativity and community through film, live performance, education and the visual arts. Located at 225 Hay Street.

(Photo by James Throssel)

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