Tuesday, 27 July 2021
Written by Keyuri Parab
Local theaters in Fayetteville are back and ready to entertain the public with their upcoming season schedules full of new and exciting performances. With a mix of comedy, drama, mystery and musicals — there is something for everyone.
Cape Fear Regional Theatre
Cape Fear Regional Theatre will kick off their 60th season with six shows, starting with one of the world’s most successful rock ‘n’ roll musicals – “Buddy: The Buddy Holly Story” from Oct. 14 until Nov. 7.
Set in the 1950’s, the show tells the story of a young man from Texas with big glasses and big dreams catapulting to the top of the rock ‘n’ roll charts. The show will feature Holly’s popular songs like “Peggy Sue,” and “That’ll Be The Day,” along with “La Bamba,” and celebrate the man whose music and values were ahead of his time. It will be directed by Suzanne Agins, who also directed CFRT’s productions of “Dreamgirls,” “Memphis” and “Mamma Mia.”
“We’re super excited about that, it was a part of a previously planned season but we didn’t get to do it until now,” said CFRT Artistic Director Mary Kate Burke.
Next on their list is the 30th anniversary production of “The Best Christmas Pageant Ever.” BCPE follows a group struggling to put on a church Christmas pageant while faced with casting the Herdman kids who are probably the most inventively awful kids in history. For local theater-goers, this is a traditional holiday fix. CFRT’s Education Director, Marc de la Concha, will direct the show which runs Dec. 3-19.
The third show in the season will be “The Wizard of Oz,” a must-see for fans of the book, movie or original musical. Audiences will go on the journey with the classic characters of the Scarecrow, Tin Man, Lion, Dorothy, and her little dog as well.
The show will be directed by Tiffany Green, who previously directed “Shrek: The Musical.”
“Next, a smaller play that’s unfamiliar to a lot of people but is fantastic called ‘Welcome to Arroyo’s,’” said Burke. “It’s like a hip-hop coming of age story that takes place in New York.” Audiences can look forward to DJs/narrators spinning the story in a comic heartfelt piece.
“Welcome to Arroyo’s” is written by Kristoffer Diaz and runs March 10-27, 2022. The production will be performed with audience seating on stage.
The fifth show in the line-up is “Clue: On Stage” directed by Burke herself, based on the best-selling board game and movie adaption. Audiences will join Miss Scarlett, Colonel Mustard, Professor Plum, and other colorful guests for this hilarious murder mystery. This show will also be performed with audience seating on stage.
CFRT will end their season with “The Color Purple,” directed by Brian Harlan Brooks. The show is based on Alice Walker’s Pulitzer Prize-winning novel. The musical follows a woman named Celie, her heartbreak and despair, until her friend Shug helps her realize her own self-worth. Celie uses her flair for fashion to build a better future. The show features jazz, gospel, blues and African music.
The musical, like the book and the film adaptation, is a story of resilience and a testament to the healing power of love. The show is being produced with support from The Junior League of Fayetteville and the National Endowment for the Arts.
“Other than our Christmas show that happens every year, the rest of the shows depend on what’s happening in the world, what we think the community would love,” Burke said. “Sometimes we cast them based on conversations with the creative team that have done the show before.”
For more information on shows or to purchase individual or season tickets, visit https://www.cfrt.org
The first show of Gilbert’s season will be “Dirty Rotten Scoundrels: The Musical,” which runs Oct. 1-17. The story follows two con men, a beautiful woman and the elite of the French Riviera who will collide in a sexy and irreverent farce.
“It's about con men and money and the upper crust of society and trying to swindle them out of money,” said Gilbert Theater Artistic Director Lawrence Carlisle.
Next, “The Carols,” a returning crowd favorite. The Christmas themed musical will play weekends Nov. 26 to Dec. 5 and Dec. 17-19. The show features the Carol sisters struggling to put up their annual production of “A Christmas Carol,” but there is a shortage of men due to WWII.
“We’re excited to be doing this again, it’s a really good show, it’s funny and not enough people got to see it due to COVID,” Carlisle mentioned.
The third show of the season will be “The Last Days of Judas Iscariot,” a dark comedy and thought-provoking work by Pulitzer-Prize winning playwright Stephen Adly Guirgis. The play follows Judas in purgatory where he is on trial. This show will run Jan. 28 through Feb. 13, 2022.
Carlisle said he hopes “Judas Iscariot” will be the show everyone talks about because it’s weird and reflects how the intent of theater is to entertain people.
Following that, the season will present “Othello,” adapted and directed by Montgomery Sutton. The show will run March 25 through April 10, 2022, and will tell the story of a powerful general of the Venetian army, Othello, whose life and marriage
are ruined by a conniving, deceitful and envious soldier, Iago.
Gilbert is currently the recipient of the Lilly Endowment Challenge, a grant that will match all donations up to $50,000 for the theater. Donors can contribute to the Gilbert Theater Endowment by visiting https://cumberlandcf.fcsuite.com/erp/donate/create?funit_id=1389.
For more information on season tickets and shows, visit https://www.gilberttheater.com.
Sweet Tea Shakespeare
“As of spring 2022, we will have been in Fayetteville for 10 years and so with the upcoming season we are looking forward to our 10-year anniversary,” said Jeremy Fiebig, Artistic Director for Sweet Tea Shakespeare.
Their upcoming season starts in August and the first show will be “HamLIT” directed by Traycie Kuhn-Zapata. It will showcase how the prince of Denmark goes off his rocker on the rocks in this “bLITzed” take on Shakespeare’s most famous tragedy, “Hamlet.” “HamLIT” will play Aug. 13 and 27 at Hugger Mugger in Sanford; Aug. 14 and 28 at The Church at Paddy’s in Fayetteville; and Aug. 20 and 21 at the Arts Council in Fayetteville.
Next in the season will be “Winter’s Tale by William Shakespeare,” directed by Fiebig, which will run Aug. 19 through Sept. 5. The late Shakespearean romance brings family, fairytale and forgiveness to the stage. The tale follows King Leontes as he wrongfully accuses his wife of adultery and unleashes a storm of tragedy upon the kingdom of Sicilia.
“The Winter’s Tale” will be staged and performed in Raleigh, and made available in Fayetteville via streaming later in the season.
“We do a series of Shakespeare plays ... we do at bars and craft breweries called LIT,” Fiebig said. “The biggest news for us other than the anniversary is we are expanding to Raleigh as well and we’ll be streaming it so folks from Fayetteville who can’t make the drive can view it as well.”
“McLIT” will begin in October. Imagine if the writer, director and actors of “Macbeth” get lost at a frat party on their way to the show. It will be full of Shakespeare, drinking games, improv and lively music. This show is for adults only ages 18 and up. “McLit” plays Oct. 1 and 22 at Hugger Mugger in Sanford; Oct. 16 and 22 at The Church at Paddy’s in Fayetteville. Other shows will be added through April, 2022.
The classic love story “Romeo and Juliet” will be on the stage in Raleigh from Oct. 21 to Nov. 7, followed by Sweet Tea Shakespeare’s annual Christmas show, “Behold” that will play Dec. 2 through Dec. 11 that returns to Holy Trinity Episcopal Church in Fayetteville.
“Richard II” and “Henry IV, Part 1” which will be performed in rep by a single company of actors, constitutes the first half of Shakespeare’s history tetralogy — an epic tale of fathers and sons, loyalty and leadership, politics and power. It is the story of ordinary people weathering the winds of change in a fledgling nation. And it is a visceral reminder that history isn’t past; it’s not even history at all. The plays will run on alternating days in Raleigh from Jan. 13 to Jan. 30, 2022.
April brings Jane Austen’s “Emma” adapted by Assistant Artistic Director Claire F. Martin who gives Austen’s rom-com a dazzling update. The show
will run at multiple locations from April 21 to May 15, 2022.
Tickets for Sweet Tea Shakespeare performances are $20 general admission and $25 at the door, with discounts for seniors, military and students. Guests can also become a Monthly Sustainer of Sweet Tea Shakespeare for special advance ticket rates and other benefits.
For more information and show schedules, tickets and performance locations, visit https://sweetteashakespeare.com/tickets/.
Fayetteville Dinner Theatre
The Fayetteville Dinner Theatre returned to Gates Four Golf & Country Club with two successful shows this year. They opened in April with two sold-out performances of the musical comedy “A Sinister Cabaret: Love Letter/Sleight of Hand,” written and directed by Dr. Gail Morfesis and produced by Up & Coming Weekly community newspaper.
The second musical show “Beyond Broadway: Music of Our Time,” was produced and directed by Bill Bowman, the publisher of Up & Coming Weekly, and featured local performers Tim Zimmerman and Linda Flynn.
“We have an excellent feel of the type of dinner theatre entertainment the community wants,” said Bowman. “Gates Four is the perfect venue, and General Manager Kevin Lavertu has been very instrumental in assisting us in creating a theatrical venue that complements the other great live theater offerings we enjoy here in Fayetteville and Cumberland County.”
Bowman said the intent is for Gates Four to provide local patrons an entertainment experience that is different and uniquely special to Gates Four.
“It is an experience that would WOW the audiences and give the Gates Four theatre experience a unique brand,” Bowman said.
FDT accomplishes this by abandoning the traditional buffet-style dinner and show concept for a more fun, yet elegant theater experience. The evening begins with the directors welcome reception and wine tasting featuring a wide selection of local wines and trays of hors d'oeuvres. The dining room welcomes guests with draped tables, cloth napkins, candlelight, a three-course plated dinner with dual entrees, and an elegant dessert buffet at the intermission. There is pre-show entertainment during the dinner hour, and once the show is underway, there are prizes and surprises.
“The Fayetteville Dinner Theatre’s mission is to bring quality shows to local area theater-goers and provide local actors a venue to showcase their talents,” Bowman said.
Gates Four and the FDT donate the money raised from the wine tasting to local children's literacy and education organizations or other community nonprofit organizations like the Care Clinic.
While there are no shows scheduled for the rest of this calendar year, FDT does plan four shows in 2022.
In the works is “Miss Congeniality,” a musical comedy written by Bowman and being produced and directed in collaboration with Dr. Gail Morfesis.
Another planned show is “Mark Twain Himself” staring Richard Garey. This show was scheduled in May of 2020, but was canceled because of the COVID-19 pandemic. Garey is a student of history and has performed all over the world, entertaining audiences with the genuine wit and wisdom of Mark Twain.
For the latest FDT schedule, visit www.fayettevilledinnertheatre.com/.
Photos courtesy Cape Fear Regional Theatre, Gilbert Theater, Sweet Tea Shakespeare and Fayetteville Dinner Theatre with special thanks to Jonathan Hornby Productions and Tony Wooten.
Tuesday, 13 July 2021
Written by Soni Martin
Becoming a professional artist can be a personal goal early in life, or it can be the result of a series of unexpected events and influences. Due to the latter reason, I thought it was particularly important to write an editorial about the artist Angela Stout; but also, to write about her notable exhibition titled Evoke at the Cape Fear Studios in Fayetteville.
First and foremost, Angela Stout is an extraordinary artist who is able to successfully cross disciplines and be exceptional in whatever medium she undertakes. Anyone who visits the Cape Fear Studios, to see her recent body of work, will be pleasantly surprised at the artists’ approach and method to painting, sculpting the figure, and printmaking.
The challenge for any artist who focuses on the portrait is how the subject, an important genre in the history of art, fits into the rage and complexity of contemporary art styles. For Stout, the subject is just the starting point to reveal more than a likeness, but an essence that transcends the individual, an ascension to a state of being that is our humanity. For this artist, it is our humanity that connects us -not gender, sex or race.
Visitors to Evoke will see a body of work which reflects this artist’s vision about the place of portraiture in contemporary art. For Stout, portraiture is not just about a likeness, but her intent is to evoke emotion and transcend the focus from the individual to the many. What she may not realize is that she creates a context that is inclusive and illusive at the same time; we sense the precipice, we sense the humanity in the room – and it is everyone.
All the paintings in the exhibit are 30” x 40” on stretched canvas, the scale of the figure, larger than life-size, invites our attention. On close inspection you can see the marks of color from Stout’s paint brush being dragged across the surface or the blending of layers of color - she moves seamlessly between opacity and translucency as needed. The painting titled “O” is an example of her exactitude and pursuit to move past the individual to a human condition, using only the warm and cool colors of indigo, phthalo blue, and a hint of magenta.
As in all her paintings, Stout has a clear understanding of the potential of color and its complexity to create meaning on different levels - all at the same time. For example, she is keenly aware of the characteristics of color and ways to exploit its complexity: the symbolism of a color, the temperature and weight of color, tone, tint, shade, and saturation are all possible means for Stout to create a feeling, an emotion, a moment, or even a state of beingness.
Visitors to the Cape Fear Studio will see how Stout moves easily between mediums. Not only are their nine new paintings, but she is also exhibiting 4 portrait heads in clay, and over eighteen monoprints. What becomes relevant is why and how she moves effortlessly between mediums. In order to get to the significance of an artist successfully working in different mediums, I need to go back to the beginning of the article: “becoming a professional artist can be the result
of a series of unexpected events and
Stout, raised in Ohio, the city of Warren, has drawn since she was three years old. At the age of 16, she asked her mother for a Bob Ross kit as a Christmas gift, and her mother surprised her with the Master Bob Ross kit (complete with supplies and a video). In high school she focused on playing drums instead of art lessons and was told upon graduation that she was not prepared or good enough, as an
artist, to apply to art school.
Those negative words and lack of encouragement from a teacher changed the direction of her life for the next twenty years. After serving in the military, married with three children, almost completing a degree in radiology before she became ill, now married again with 2 additional children (for a total of 5): Stout was out of the army and painting portraits as a self-taught artist in Broadway, North Carolina. With encouragement from family and friends, she enrolled in and completed a two-year Associate of Arts degree from Fayetteville Technical Community College, which included four art classes.
Stout had the experiences of painting murals for dayrooms when she was in the military, but it was the beginning painting and drawing classes at FTCC where she received her first formal instruction in the mechanics of drawing and painting. Katey Morrill, her painting instructor, identified her preferences in painting and introduced her to significant artists for her to study, those artists who focused on using light to create dramatic effects. Equally important, Stout was encouraged by the art faculty to become a professional artist and continue into a 4-year art program.
Confident in her achievements at FTCC, Stout entered Fayetteville State University in the Department of Performing and Fine art and was affectionately told “you have a lot of talent” and “you have a long way to go.” Only working in black, white and greys, her solid education from FTCC was the beginning of her personal journey in the arts.
Stout worked with five different instructors at FSU, each bringing their own influence. After taking fifteen hours in art history and art criticism, painting classes, printmaking classes, and various sculpture classes she graduated from FSU with a 4.0 average. Because of Stout’s ambition to know as much as she could and her work ethics, she worked tirelessly at the challenges each course would demand but was always open to new ways of seeing and working.
Stout explains it like this: “Painting classes improved my understanding of color theory and composition, printmaking classes challenged the way I viewed the process of painting and image-making, from painting I could create volume in clay modeling, and clay modeling helped me to see spatially and that helped my painting. Art criticism and contemporary art class challenged everything I thought I knew, I was then able to refine the direction of my work, I become open to new possibilities in ways I had never considered before.”
Stout was not only a student of art who wanted to know all that she could learn in a short period of time, but she was always taking advantage of any situation where she could exhibit her work. She participated in local and national exhibitions, put her artworks in coffee house and any place that would showcase her works.
By the time she graduated from FSU in 2019, and soon after, she had created and was facilitating a Facebook page called “acrylicpaintingforeveryone” (link at the end of the article) which has 106,000 vetted members. A website created as a positive social media platform to encourage anyone who paints, includes an exchange of ideas, videos, tips, and critiques.
Stout has been in many exhibitions, local and regional. Due to her social media persistence, a curator contacted her to exhibit one of her paintings in an online exhibition in Milan, Italy during COVID. As an advocate of the arts, Stout is a member of the Cape Fear Studios and regularly gives classes to any age interested in painting. She participates in community outreach projects and continues to do portrait commissions.
Anyone who has visited the exhibit, and those who have plans to see Evoke at the Cape Fear Studios might be interested to know what influenced the direction of her work. Stout was asked how her work has evolved over the last ten years. She began by saying: “In the beginning it was important to learn and practice technique. I was self-taught so I did not understand the philosophy behind art, and the ways in which my work needed to be developing. Studying art and art movements, understanding the evolution of art gave me the courage to evolve in my own way.”
She continued, “Initially I just wanted to develop technically and portray the subject as accurate as possible. Now I want to convey an emotion. Every aspect of the painting is important to the overall meaning, the subject, color, abstraction, and techniques are used to evoke an emotion.”
“I never would have thought that courses in printmaking could have had such a dramatic effect on how I see painting, but it did? I am a perfectionist, but in the printmaking studio any number of things can happen, often accidents, that made me understand how process is relevant. I didn’t have the expectations I was going to be a professional printmaker at the time, so I felt I was free to fail and to explore. All good lessons, I moved from mimicry to intent in my work - possibilities in printmaking translated into possibilities in painting.”
After working six months towards her first-person exhibition, I was interested to know what the experience meant to her after the opening and what her future plans are as a professional, free lance artist. Stout was resolute in her response, “I feel as if my intent for the exhibit was met, and I hope the works communicate the emotional connections to anyone who see the exhibit in the painting, the sculpture or a print. During the process, I had to make choices during the making, I felt a sense of relief that, as a whole, there is a continuity in the body of work.”
“My plans at this time are to continue to explore image making and intent, continue teaching, network for opportunities to exhibit. It would be nice to have a gallery outside of North Carolina carry my work, and I love being involved in community projects. At this time, I have written a grant for disabled veterans to take my workshop in acrylic painting and healing; and I have a written a grant to be able to work with Gold Star Children. One big goal is to write an extensive grant for underprivileged children to have art lessons and artkits. Afterall, it was a Bob Ross Master Kit, given to me when I was 16 years old, that made a big impact on the direction my life would eventually take in the arts!”
Visitors to the Cape Fear Studios at 148 Maxwell Street in Fayetteville, North Carolina will be able to see Angela Stouts’ exhibit titled Evoke until July 20th, 2021. The hours of the studios are Tuesday-Friday, 11:00 a.m. – 5:00 p.m., Saturday, 10:00 a.m. to 4:00 p.m. Email the gallery at email@example.com or call 910-433-2986.
To join Angela Stouts Facebook page for “acrylicpaintingforeveryone” the link is www.facebook.com/search/top/?q=acrylicpaintingforeveryone.
For information in taking classes with Angela Stout, call 910-433-2986 for information on times and cost.