A successful portrait photographer, Jonathan Starling shares his
experiences of a popular and historical Italian celebration in the exhibit
titled The Colors of Carnevale. Visitors to the Gallery 208 opening on May
10, and during the exhibit, which runs through June, will have a glimpse
into the artist’s interpretation of the Carnevale di Venezia (Carnival of
Venice). Carnevale is a celebration where the streets are filled with people in
elaborate costumes and masks.
Starling has been a professional photographer for more than 25 years and is
most well-known for his award-winning images of families and children placed
in traditional settings with natural lighting. As a photographer he has captured
images of families, children, high-school seniors,
and business professionals for many years. His
artistic approach has been to create images that
say something about the person or capture their
interests, their hobbies and people they love.
Gallery 208 is excited to exhibit his latest body
of work from his trips to Venice, Italy during the
carnival. Different than his traditional portraiture,
the mood in The Colors of Carnevale is heightened
to a dramatic stage of mystique, intrigue and
exceptional beauty.
Starling feels the exhibit is a gift he can to give
to Fayetteville. “I have combined my passion
for travel, beauty, Italy and its culture with the
creation of beautiful images. If I am able to share
my experience and the happiness it brought to me
with my viewers, I will have accomplished much. I
am always interested in sharing my Italian culture
with others and all of these factors combined
created a desire to present this body of work.”
A change from his portrait commissions,
Starling’s approach to his fine-art photography
in Venice is personal and an open ended
interpretation of his traveling experiences,
interfacing with places, people and the affects of
light on a subject or place. While the commercial
work results in satisfying his customers, this body
of work is a private experience he can share.
While in the fine-art frame of mind, Starling
refl ected upon the creative state as “a floating or
mixing of the atmospheres of reality and an altered creative state.”
So when a portrait photographer travels to another country and decides to
create a body of work centered on the Carnevale event, what is his approach?
Does the experience in any way shape how he views his commercial work?
I found Starling’s answers to the
questions helpful in understanding the
practicality of his approach as well as
the aesthetics. He stated: “I had limited
communication and limited identity
with the carnival culture in Venice;
yet photographing the event was an
evolving experience as an artist. Most
of the masked people I photographed
were from France (people from all over
the world visit Venice for Carnevale).
Since I can’t speak French at all,
communication developed from a smile
or kind look at first, and then evolved
through approaching the subjects
from a professional approach by using
gestures and body language to get the
subject to pose. At first I approached
them as inanimate objects, a costume,
a mask; I progressed to realize that the
subject was really the person or the
persona behind the mask. Once that
connection was realized, I found myself
intrigued with the eyes and the body
language presented at that point, the
inanimate came alive with life and energy and beautiful images flowed.”
He continued, “There were so many people there photographing at the same
time, the conditions were very cold and the crowds were large. I wanted to
show the costumes and masks but also show Venice and present it without the
crowds of tourists and photographers. The limited time spent with the models
was very rewarding often resulting in the exchanging of well wishes, business
cards and email addresses.”
As a photographer, Starling is literally, a “student of light.” He applies
his knowledge of light skillfully in his commercial work and in his fine-art
approach. For the works in The Colors of Carnevale note how he concentrated
on early morning light and late afternoon light.
“I prefer the quality of light during these two
times of the day. I often found myself working
with a flash to bring out the subject and adjusting
my exposure settings to create the look of the
ambient lighting conditions,” said Starling.
But, why go to Italy routinely to photograph?
Starling responded he “goes to Italy regularly
for personal reasons.” He is proud of his Italian
heritage — a place he found a deep connection
to after his first visit. Although raised in
Fayetteville, he often felt he was missing a part
of his spirit. He connected with that missing part
after traveling to Italy.
Starling currently possesses dual citizenship in
both the United States and Italy and feels equally
welcome and at home in either country. He is so
comfortable that he conducts several tours a year
to Italy — and he feels equally comfortable as a
teacher. He has been teaching photography for
many years, fi rst on a professional level, which is
how he earned the degree of Craftsman from the
Professional Photographers of America. In the last
four years he has started teaching photography
from the beginning level and through advanced
classes at FTCC, and in his own pri
vate classes.
Starling stated: “Leading groups in Italy was the
next step to sharing my love of travel, photography
and Italy with other photographers.”
Starling’s students enjoy traveling with him
since he bridges the gap for them between their experiences in the U.S. and the
food and customs of Italy. He prefers to travel as a “traveler,” not as a “tourist”
— stating there is a huge difference.
“A tourist only sees a small glimpse of the place they are visiting while
keeping their identity as an outsider. A traveler experiences the culture and
tries to assimilate themselves into the culture and place they are in,” Starling
explained. “Being a traveler causes you to look at yourself and your life
experiences in a way that can lead you to see other points of view and other
ways of doing things. I find the results are personal and life altering growth
experiences that will change you for life.”
He continued, “It is rewarding for me to see the looks on the faces of my
students when they get it. They often wonder why I highly encourage them to
dress for dinner, why we eat late meals and try different food. Sure, the tourist
stuff is fun; but our missions are always centered on chasing light and being
in the right places to create beautiful images at the right time and taking the
time to photograph the beauty. One of my students said how nice it was to be
on a trip where no one was constantly asking “Are you still taking pictures?”
Starling takes pictures in Venice because he feels there is no other city in
the world as beautiful and unique as Venice. The photographs in The Colors
of Carnevale all exude this feeling and reflect Starling’s philosophy: “When
you mix beautiful, artistic, and historic costumes in a historical and beautiful
city, a synergy of beauty and color explodes.”
The public is invited to the opening of The Colors of
Carnevale on May 10, from 5 to 7 p.m. at Gallery 208,
located at Up and Coming Weekly at 208 Rowan St. The
exhibit will remain up until
June 29.
Photo (right): As a photographer Starling is, literally, a “student of light.”